| Masks of Authenticity: Failed Quests for the People in Quicksand by Nella Larsen and The Silver Dove by Andrei Belyi I Anisimova Comparatist 32, 175-192, 2008 | 7 | 2008 |
| From Celebrated Novel to Media Outrage: The Public Debate Surrounding the Miniseries Zuleikha Opens Her Eyes I Anisimova | 5 | 2020 |
| ‘E’for empire: postmodernism and imperial ideology in the context of the Sochi Olympic Games I Anisimova Studies in Russian and Soviet Cinema 12 (2), 136-152, 2018 | 5 | 2018 |
| THE TERRORS OF HISTORY: REVOLUTIONARY GOTHIC IN" MOTHER EARTH" BY BORIS PILNIAK I Anisimova The Slavic and East European Journal, 376-395, 2011 | 4 | 2011 |
| From Consumption to Objectification in Viktor Pelevin’s “Akiko” I Anisimova Studies in Slavic Cultures 10, 60-74, 2011 | 3 | 2011 |
| The post-Soviet “Orient” in stories by Vladimir Makanin and Liudmila Petrushevskaia I Anisimova Canadian Slavonic Papers 59 (1-2), 1-20, 2017 | 2 | 2017 |
| Heterotopia in Contemporary Russian Fiction I Anisimova University of Pittsburgh, 2015 | 2 | 2015 |
| Embodying the spirit of the time: traumatic history in Vladimir Sharov’s fiction I Anisimova Canadian Slavonic Papers 64 (1), 1-19, 2022 | 1 | 2022 |
| The Cultural Is Political: Introduction I Anisimova, I Lunde The Cultural Is Political: Intersections of Russian Art and State Politics, 5-13, 2020 | 1 | 2020 |
| Imagining the Folk: Authenticity and Modernity in the Texts by Belyi, Larsen, Toomer, and Pil'niak IL Anisimova ProQuest, 2008 | 1 | 2008 |
| Energy/Waste: Introduction M Hristova, A DeBlasio, I Anisimova | | 2023 |
| The Politics and Aesthetics of Waste in Liudmila Petrushevskaia’s Fiction I Anisimova | | 2023 |
| The Cultural is Political: Intersections of Russian Art and State Politics IL I Anisimova | | 2020 |
| Between Nation and Empire I Anisimova Pushkin Review/Пушкинский вестник 21, 155-178, 2019 | | 2019 |
| Stage Fright: Politics and the Performing Arts in Late Imperial Russia I Anisimova The Slavic and East European Journal 54 (4), 726-728, 2010 | | 2010 |
| Masks of Authenticity. I Anisimova Comparatist 32, 2008 | | 2008 |
| Alexander Pushkin’s The Captain’s Daughter I Anisimova | | |
| Exercises in Revolutionary Utopia in Osokin and Fedorchenko’s Film Collaborations I Anisimova | | |
| Writing the Family, Creating the Nation in Pushkin’s Captain’s Daughter I Anisimova | | |
Ingunn LundeUniversity of Bergen在 if.uib.no 的电子邮件经过验证
Ingunn LundeUniversity of Bergen在 if.uib.no 的电子邮件经过验证