| Public rape: Representing violation in fiction and film T Horeck Routledge, 2013 | 319 | 2013 |
| # AskThicke:“Blurred Lines,” rape culture, and the feminist hashtag takeover T Horeck Feminist Media Studies 14 (6), 1105-1107, 2014 | 158 | 2014 |
| New Extremism in Cinema: From France to Europe TC Horeck Edinburgh University Press, 2011 | 154 | 2011 |
| Post Weinstein: gendered power and harassment in the media industries S Cobb, T Horeck Feminist media studies 18 (3), 489-491, 2018 | 94 | 2018 |
| Justice on demand: True crime in the digital streaming era T Horeck Wayne State University Press, 2019 | 92 | 2019 |
| On binge-watching: Nine critical propositions T Horeck, M Jenner, T Kendall Critical Studies in Television 13 (4), 499-504, 2018 | 68 | 2018 |
| Introduction T Horeck, K Gregersdotter, B Åström Rape in Stieg Larsson’s Millennium Trilogy and Beyond: Contemporary …, 2013 | 38 | 2013 |
| “Netflix and Heal” The Shifting Meanings of Binge-Watching during the COVID-19 Crisis T Horeck Film Quarterly 75 (1), 35-40, 2021 | 34 | 2021 |
| Rape in Stieg Larsson's millennium trilogy and beyond: contemporary Scandinavian and Anglophone crime fiction B Åström, K Gregersdotter, T Horeck Springer, 2012 | 28 | 2012 |
| Broken bodies/inquiring minds: Women in contemporary transnational TV crime drama L Coulthard, T Horeck, B Klinger, K McHugh Television & New Media 19 (6), 507-514, 2018 | 27 | 2018 |
| ‘A film that will rock you to your core’: Emotion and affect in Dear Zachary and the real crime documentary T Horeck Crime, Media, Culture 10 (2), 151-167, 2014 | 26 | 2014 |
| From documentary to drama: capturing Aileen Wuornos T Horeck Screen 48 (2), 141-159, 2007 | 26 | 2007 |
| The new extremisms: rethinking extreme cinema T Kendall, T Horeck Anglia Ruskin Research Online (ARRO), 2012 | 19 | 2012 |
| Screening Affect: Rape Culture and the Digital Interface in The Fall and Top of the Lake T Horeck Television & New Media 19 (6), 569-587, 2018 | 16 | 2018 |
| Lost Girls: The Fiction of Joyce Carol Oates T Horeck Contemporary Womens Writing 4 (1), 24-39, 2010 | 16 | 2010 |
| Tina Kendall, eds. 2011 T Horeck The New Extremism in Cinema: From France to Europe, 0 | 16 | |
| Shame and the Sisters: Catherine Breillat’s À Ma Soeur!(Fat Girl) T Horeck na, 2010 | 15 | 2010 |
| Streaming Sexual Violence: Binge-watching Netflix’s 13 Reasons Why.’ T Horeck Participations, 2019 | 13 | 2019 |
| The affective labour of One Born Every Minute in its UK and US formats T Horeck Critical Studies in Television 11 (2), 164-176, 2016 | 13 | 2016 |
| A ‘Passion for the Real’: Sex, Affect and Performance in the Films of Andrea Arnold T Horeck The New Extremism in Cinema: From France to Europe, 169-179, 2011 | 12 | 2011 |
