| Experiencing event management during the coronavirus pandemic: a public sector perspective T Coles, G Garcia, E O'Malley, C Turner Frontiers in Sports and Active Living 3, 814146, 2022 | 34 | 2022 |
| Eco-Shakespeare in performance: introduction R Martin, E O'Malley Shakespeare Bulletin 36 (3), 377-390, 2018 | 18 | 2018 |
| Weathering Shakespeare E O'Malley Bloomsbury Publishing, 2020 | 12 | 2020 |
| " To weather a play": Audiences, Outdoor Shakespeares, and Avant-Garde Nostalgia at The Willow Globe E O'Malley Shakespeare Bulletin 36 (3), 409-427, 2018 | 10 | 2018 |
| Climate Stories: enabling and sustaining arts interventions in climate science communication E Woodley, S Barr, P Stott, P Thomet, S Flint, F Lovell, E O'Malley, ... Geoscience Communication 5 (4), 339-354, 2022 | 5 | 2022 |
| Theatre for a changing climate: A lecturer’s portfolio E O’Malley Posthumanism and Higher Education: Reimagining Pedagogy, Practice and …, 2019 | 5 | 2019 |
| Taking the Ferry: Performing Queasy Affects through Irish Abortion Travel in Thorny Island and My Name Is Saoirse E O’Malley Contemporary Theatre Review 29 (1), 23-38, 2019 | 3 | 2019 |
| You Do (Not) Assist the Storm: A vibrant and affective seascape for The Tempest at Minack, Cornwall E O’Malley Performance Research 21 (2), 81-84, 2016 | 3 | 2016 |
| The natural place for the play: outdoor Shakespeares, environment, and an ethnography of audience experience EM O'Malley PQDT-UK & Ireland, 2016 | 3 | 2016 |
| “Mundane” performance: theatre outdoors and earthly pleasures E O'Malley, C Turner, G Garcia Critical Stages, 2022 | 2 | 2022 |
| On Air E O'Malley, CK Preedy Performance Research 26 (7), 1-6, 2021 | 2 | 2021 |
| Answer the Question: ‘How does nature nurture your training?’ I Morgan, E O’Malley, C Clarke, G Pin Ang Theatre, Dance and Performance Training 8 (3), 350-355, 2017 | 2 | 2017 |
| Imagining Arden: Audience Responses to Place and Participation at Taking Flight Theatre Company’s As You Like It EM O'Malley Participations, 2016 | 2 | 2016 |
| Introduction: Eco-Shakespeare in Performance R Martin, EM O'Malley Johns Hopkins University Press, 2018 | 1 | 2018 |
| ‘Peace and quiet and open air’: Performing weathering in New York screen musicals of the COVID-19 pandemic E O’Malley Studies in Musical Theatre 18 (1), 37-55, 2024 | | 2024 |
| ‘Me and the Sky’: smashing the glass ceiling in Come from Away, neoliberal feminism, and climate change E O’Malley Studies in Theatre and Performance, 1-15, 2024 | | 2024 |
| Turbulent Ecodramaturgy: The Winds of Pericles E O’Malley, CK Preedy Green Letters, 1-15, 2024 | | 2024 |
| Introduction: On air E O'Malley, CK Preedy Performance Research, 26.7, 2022 | | 2022 |
| This contentious storm: an ecocritical and performance history of King Lear: by Jennifer Mae Hamilton, London and New York, Bloomsbury Academic, 2017, 227 pp.,£ 85 (hardback … E O’Malley Studies in Theatre and Performance 42 (1), 92-94, 2022 | | 2022 |
| Landslide from Ben Bulben: Mountain activism and the Irish abortion referendum E O’Malley Performance Research 24 (2), 85-88, 2019 | | 2019 |
