| Why the patient-made term'long covid'is needed E Perego, F Callard, L Stras, B Melville-Jóhannesson, R Pope, NA Alwan Wellcome Open Research 5 (224), 224, 2020 | 113 | 2020 |
| She's so fine: reflections on whiteness, femininity, adolescence and class in 1960s music L Stras Ashgate Publishing, Ltd., 2011 | 62 | 2011 |
| The organ of the soul: voice, damage, and affect L Stras Sounding off: Theorizing disability in music, 173-184, 2006 | 60 | 2006 |
| Women and music in sixteenth-century Ferrara L Stras Cambridge University Press, 2018 | 56 | 2018 |
| White face, black voice: race, gender, and region in the music of the Boswell Sisters L Stras Journal of the Society for American Music 1 (2), 207-255, 2007 | 53 | 2007 |
| Why we need to keep using the patient made term “Long Covid E Perego, F Callard, L Stras, B Melville-Jóhannesson, R Pope, N Alwan | 34 | 2020 |
| Voice of the Beehive: Vocal Technique at the Turn of the 1960s 1 L Stras She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class …, 2017 | 24 | 2017 |
| Recording Tarquinia: Imitation, Parody and Reportage in Ingegneri's' Hor che'l ciel e la terra e'l vento tace' L Stras Early Music 27 (3), 358-377, 1999 | 20 | 1999 |
| Eroticism in Early Modern Music B Blackburn, L Stras Routledge, 2016 | 18 | 2016 |
| Sing a song of difference: Connie Boswell and a discourse of disability in jazz L Stras Popular Music 28 (3), 297-322, 2009 | 17 | 2009 |
| Musical portraits of female musicians at the northern Italian courts in the 1570s L Stras Ashgate Publishing, 2003 | 16 | 2003 |
| The performance of polyphony in early 16th-century Italian convents L Stras Early Music 45 (2), 195-215, 2017 | 13 | 2017 |
| Voci pari Motets and Convent Polyphony in the 1540s: The materna lingua Complex L Stras Journal of the American Musicological Society 70 (3), 617-696, 2017 | 10 | 2017 |
| Introduction: She’s so fine, or why girl singers (still) matter L Stras She's so fine: Reflections on whiteness, femininity, adolescence and class …, 2017 | 10 | 2017 |
| 'Onde havrà'l mond'esempio et vera historia': Musical Echoes of Henri III's Progress Through Italy L Stras Acta musicologica 72 (Fasc.] 1), 7-41, 2000 | 10 | 2000 |
| Le nonne della ninfa: Feminine Voices and Modal Rhetoric in the Generations before Monteverdi L Stras Gender, Sexuality, and Early Music, 123-165, 2013 | 8 | 2013 |
| ‘Al gioco si conosce il galantuomo’: Artifice, Humour and Play in the Enigmi musicali of Don Lodovico Agostini L Stras Early Music History 24, 213-286, 2005 | 7 | 2005 |
| The Ricreationi per monache of Suor Annalena Aldobrandini L Stras Renaissance Studies 26 (1), 34-59, 2012 | 6 | 2012 |
| “Non è sì denso velo”: Hidden and Forbidden Practice in Wert's Ottavo libro de madrigali a cinque voci (Venice: Gardano, 1586) L Stras Eroticism in Early Modern Music, 143-173, 2016 | 5 | 2016 |
| Sounding Off: Theorizing Disability in Music L Stras, N Lerner, JN Straus Routledge, 2006 | 5 | 2006 |
