| “Death by Fright”: Risk, Consent, and Evidentiary Objects in William Castle's Rigged Houses C Clepper Film History 28 (3), 54-84, 2016 | 17 | 2016 |
| The Rigged House: Gimmickry, Exhibition, and Embodied Spectatorship in Mid-Century American Movie-Going C Clepper Northwestern University, 2016 | 5 | 2016 |
| The Tactile Eye: Touch and the Cinematic Experience C Clepper Film Quarterly 64 (4), 80, 2011 | 1 | 2011 |
| Bright Signals: A History of Color Television C Clepper Film Quarterly 72 (2), 117-119, 2018 | | 2018 |
| Symphonies Olfactives C Clepper Techniques et technologies du cinéma, 2015 | | 2015 |
| Women's Experimental Cinema: Critical Frameworks C Clepper Film Criticism 33 (3), 75-79, 2009 | | 2009 |
| Women's Experimental Cinema: Critical Frameworks-Edited by Robin Blaetz C Clepper Film Criticism 33 (3), 76, 2009 | | 2009 |
| Objects, Exhibition, and the Spectator H Wasson, M Hennefeld, C Clepper, J Szczepaniak-Gillece, S Groening | | |
