| Digital performance: a history of new media in theater, dance, performance art, and installation S Dixon MIT press, 2015 | 1850 | 2015 |
| Circumferential guided wave EMAT system for pipeline screening using shear horizontal ultrasound M Clough, M Fleming, S Dixon Ndt & E International 86, 20-27, 2017 | 142 | 2017 |
| A history of virtual reality in performance S Dixon International Journal of Performance Arts and Digital Media 2 (1), 23-54, 2006 | 89 | 2006 |
| Digital performance: A history of new media in theater S Dixon, B Smith Dance, Performance, 2007 | 75 | 2007 |
| Metal performance humanizing robots, returning to nature, and camping about S Dixon TDR, 15-46, 2004 | 65 | 2004 |
| Digits, discourse, and documentation: performance research and hypermedia S Dixon TDR/The Drama Review 43 (1), 152-175, 1999 | 31 | 1999 |
| Researching digital performance: virtual practices S Dixon Research methods in theatre and performance, 41-62, 2011 | 29 | 2011 |
| Theatre, technology, and time S Dixon International journal of performance arts and digital media 1 (1), 11-30, 2005 | 26 | 2005 |
| Every object tells a story: Physical interfaces for digital storytelling LE Holmquist, M Helander, S Dixon Proceedings of the NordiCHI, 2000 | 25 | 2000 |
| Space, metamorphosis and extratemporality in the theatre of Robert Lepage S Dixon Contemporary Theatre Review 17 (4), 499-515, 2007 | 24 | 2007 |
| The digital double S Dixon New Visions In Performance, 13-30, 2005 | 23 | 2005 |
| The discourse of assessment: Language and value in the assessment of group practice in the performing arts J Smart, S Dixon Arts and Humanities in Higher Education 1 (2), 185-204, 2002 | 23 | 2002 |
| Cybernetic-Existentialism: Freedom, Systems, and being-for-others in contemporary arts and performance S Dixon Routledge, 2019 | 20 | 2019 |
| A Telepresence Stage: or how to create theatre in a pandemic–project report P Sermon, S Dixon, S Popat Taylor, R Packer, S Gill International Journal of Performance Arts and Digital Media 18 (1), 48-68, 2022 | 19 | 2022 |
| Remediating theatre in a digital proscenium S Dixon Digital Creativity 10 (3), 135-142, 1999 | 19 | 1999 |
| Uncanny interactions S Dixon Performance research 11 (4), 67-75, 2006 | 16 | 2006 |
| Futurism e-visited S Dixon Body, Space & Technology 3 (2), 2003 | 14 | 2003 |
| Cybernetic-existentialism S Dixon International Journal of Performance Arts and Digital Media 12 (1), 11-30, 2016 | 13 | 2016 |
| A brief history of robots and automata S Dixon TDR: The Drama Review 48 (4), 16-25, 2004 | 11 | 2004 |
| Evaluating an SH wave EMAT system for pipeline screening and extending into quantitative defect measurements M Clough, S Dixon, M Fleming, M Stone AIP Conference Proceedings 1706 (1), 2016 | 9 | 2016 |
