Lipstick bullets: Labour and gender in professional gamer self-branding A Zolides Persona Studies 1 (2), 42-53, 2015 | 67 | 2015 |
Gender moderation and moderating gender: Sexual content policies in Twitch’s community guidelines A Zolides New Media & Society 23 (10), 2999-3015, 2021 | 64 | 2021 |
“Don’t Fauci My Florida:” Anti-Fauci Memes as Digital Anti-Intellectualism A Zolides Media and Communication 10 (4), 109-117, 2022 | 8 | 2022 |
The Work of Wrestling: Struggles for Creative and Industrial Power in WWE Labor A Zolides WWE: Professional Wrestling in the Digital Age, 47-64, 2019 | 5 | 2019 |
Created by children: Conceptualising the child as media producer A Zolides Childhood and Celebrity, 147-158, 2017 | 5 | 2017 |
The truth is in their faces: MTV’s Fear and the rise of ‘Personal Affect’in paranormal horror A Zolides Horror Studies 4 (2), 187-200, 2013 | 4 | 2013 |
Cult of Personalities: The Influence Economy of Digital Culture A Zolides The University of Wisconsin-Madison, 2017 | 3 | 2017 |
Smarks’: Kynical engagement and coalitional fandom of Professional Wrestling A Zolides Participations 15, 291-310, 2018 | 2 | 2018 |
WWE Network: The Disruption of Over-the-Top Distribution C Barker, A Zolides From Networks to Netflix, 385-393, 2018 | 1 | 2018 |
Dossier–Video Games as Useful Media: A Multiplayer Perspective K Hunting, A Zolides The Velvet Light Trap, 72-76, 2013 | 1 | 2013 |
Defining the dream: Same-sex marriage on Disney’s Fairy Tale Weddings A Zolides Queer Studies in Media & Popular Culture 9 (2), 167-181, 2024 | | 2024 |
“We Converted You to Mickey!”: The Gendered Expectations of Couples’ Fandom in Disney’s Fairy Tale Weddings A Zolides | | 2022 |