| The End (s) of Genre E Drott Journal of Music Theory 57 (1), 1-45, 2013 | 157 | 2013 |
| Music and the elusive revolution: Cultural politics and political culture in France, 1968–1981 E Drott Univ of California Press, 2011 | 133 | 2011 |
| Music as a Technology of Surveillance EA Drott Journal of the Society for American Music 12 (3), 233-267, 2018 | 83 | 2018 |
| Why the Next Song Matters: Streaming, Recommendation, Scarcity E DROTT Twentieth-Century Music 15 (3), 325-357, 2018 | 81 | 2018 |
| Copyright, compensation, and commons in the music AI industry E Drott Creative Industries Journal 14 (2), 190-207, 2021 | 42 | 2021 |
| Spectralism, politics and the post-industrial imagination E Drott The Modernist Legacy: Essays on New Music, 55-76, 2017 | 39 | 2017 |
| Rereading Jacques Attali’s Bruits E Drott Critical Inquiry 41 (4), 721-756, 2015 | 39 | 2015 |
| The politics of Presque rien E Drott Sound Commitments: Avant-Garde Music and the Sixties, 145-166, 2009 | 35 | 2009 |
| Conlon Nancarrow and the technological sublime E Drott American Music 22 (4), 533-563, 2004 | 33 | 2004 |
| Ligeti in Fluxus E Drott The Journal of Musicology 21 (2), 201-240, 2004 | 31 | 2004 |
| The role of triadic harmony in Ligeti's recent music E Drott Music Analysis 22 (3), 283-314, 2003 | 24 | 2003 |
| Fake Streams, Listening Bots, and Click Farms: Counterfeiting Attention in the Streaming Music Economy E Drott American Music 38 (2), 153-175, 2020 | 22 | 2020 |
| Timbre and the cultural politics of French spectralism E Drott Proceedings of the Conference on interdisciplinary Musicology, 10-12, 2005 | 22 | 2005 |
| Lines, Masses, Micropolyphony: Ligeti's Kyrie and the “Crisis of the Figure” E Drott Perspectives of New Music 49 (1), 4-46, 2011 | 20 | 2011 |
| Musical Contention and Contentious Music; or, the Drums of Occupy Wall Street E Drott Contemporary Music Review 37 (5-6), 626-645, 2018 | 18 | 2018 |
| Agency and impersonality in the music of György Ligeti EA Drott Yale University, 2001 | 18 | 2001 |
| What Inclusiveness Excludes E Drott Journal of the American Musicological Society 65 (3), 825-830, 2012 | 17 | 2012 |
| Free Jazz and the French Critic E Drott journal of the American Musicological Society 61 (3), 541-581, 2008 | 17 | 2008 |
| Music in the Work of Social Reproduction E Drott Public Culture 15 (2), 162-183, 2019 | 16 | 2019 |
| Class, Ideology, and il caso Scelsi The Musical Quarterly; Class, Ideology, and il caso Scelsi E Drott The Musical Quarterly 89 (1), 80-120, 2006 | 16 | 2006 |
