| Breaching the divide: Techno city Berlin B Peter Peter Lang, 2014 | 11 | 2014 |
| Negotiating the co-curation of an online community popular music archive B Peter Popular Music History 13 (1-2), 58-76, 2021 | 7 | 2021 |
| Experiential knowledge: Dance as source for popular music historiography B Peter Popular Music History 12 (3), 275-294, 2020 | 7 | 2020 |
| One foot in the rave: Aging ravers’ transitions to adulthood and their participation in rave culture B Peter, L Williams Leisure Sciences 44 (7), 808-826, 2022 | 5 | 2022 |
| Beyond capital, towards myth: EDM fandom and dance practice B Peter Popular Music Fandom, 37-54, 2013 | 4 | 2013 |
| Jung on the dance floor: The phenomenology of dancing and clubbing B Peter PQDT-Global, 2009 | 4 | 2009 |
| Raves in the twenty-first century: DIY practices, commercial motivations and the role of technology B Peter Bloomsbury, 2020 | 2 | 2020 |
| How can we tell the dancer from the DJ? Althusser and Jung on participant roles in a nightclub setting B Peter History of Stardom Reconsidered, 149-152, 2007 | 2 | 2007 |
| Evaluating Young People’s Voices in Spoken Word Popular Music Projects B Peter Music for Inclusion and Healing in Schools and Beyond: Hip Hop, Techno …, 2023 | 1 | 2023 |
| Rave Journeys: Intimacy, Liminality and the Changing Notion of Home B Peter Popular Music and Automobiles, London: Bloomsbury, 83-96, 2020 | 1 | 2020 |
| Popular Music and Automobiles M Duffett, B Peter Bloomsbury Publishing USA, 2020 | 1 | 2020 |
| The Lapsed Clubber Audio Map: Reflections on Pioneering Digital Archives B Peter, A Ward, A Kennerley Livingmaps Review 6, 1-7, 2019 | 1 | 2019 |
| Popular Music and the Myths of Madness B Peter IASPM Journal 3 (2), 130-132, 2013 | 1 | 2013 |
| Popular Music B Peter Cambridge University Press. Cambridge, UK, 2011 | 1 | 2011 |
| Technomad. Global Raving Countercultures. By Graham St John. London and Oakville: Equinox, 2009. 312 pp. ISBN 978-1-84553-625-1 (hb), 978-1-84553-626-8 (pb) B Peter Popular Music 30 (2), 290-291, 2011 | 1 | 2011 |
| To dance or not to dance? Aesthetic subversion of the body politic in the GDR B Peter, G East, C Street Popular Music History 14 (2), 183-197, 2022 | | 2022 |
| The First Days of Berlin: The Sound of Change. By Ulrich Gutmair. Translated by Simon Pare. Cambridge: Polity Press, 2021. 212 pp. ISBN 978-1509547302 B Peter Popular Music 41 (2), 265-266, 2022 | | 2022 |
| Introduction: Small cracks, complex structures: Trends and traditions in the historiography of the GDR's popular music. M Rauhut, B Peter Popular Music History 14 (2), 2021 | | 2021 |
| " Times of Departure": Popular Music as a Medium of social Change B Peter POPULAR MUSIC 39 (3-4), 722-724, 2020 | | 2020 |
| ‘Zeiten des Aufbruchs’: Populäre Musik als Medium gesellschaftlichen Wandels. Edited by Dominik Schrage, Holger Schwetter, and Anne-Kathrin Hoklas. Wiesbaden: Springer. 2019 … B Peter Popular Music 39 (3-4), 722-724, 2020 | | 2020 |
