| Semiotic description of music structure: An introduction to the Quaero/Metiss structural annotations F Bimbot, G Sargent, E Deruty, C Guichaoua, E Vincent AES 53rd International Conference on Semantic Audio, P1-1, 2014 | 22 | 2014 |
| Modèles de compression et critères de complexité pour la description et l'inférence de structure musicale C Guichaoua Université Rennes 1, 2017 | 11 | 2017 |
| The tonnetz environment: a web platform for computer-aided “mathemusical” learning and research C Guichaoua, JL Besada, E Bisesi, M Andreatta 13th international conference on computer supported education, 680-689, 2021 | 10 | 2021 |
| Reinterpreting and extending anatol vieru’s periodic sequences through the cellular automata formalisms P Lanthier, C Guichaoua, M Andreatta Mathematics and Computation in Music: 7th International Conference, MCM 2019 …, 2019 | 9 | 2019 |
| Music genre descriptor for classification based on Tonnetz trajectories E Karystinaios, C Guichaoua, M Andreatta, L Bigo, I Bloch Journées d'Informatique Musicale, 2020 | 7 | 2020 |
| Dictionary learning for audio inpainting C Guichaoua < bound method Organization. get_name_with_acronym of< Organization: DUMAS …, 2012 | 7 | 2012 |
| End-to-end Bayesian segmentation and similarity assessment of performed music tempo and dynamics without score information C Guichaoua, P Lascabettes, E Chew Music & Science 7, 20592043241233411, 2024 | 3 | 2024 |
| CosmoNote: a web-based citizen science tool for annotating music performances L Fyfe, D Bedoya, C Guichaoua, E Chew Web Audio Conference, 2021 | 3 | 2021 |
| New hexachordal theorems in metric spaces with a probability measure M Andreatta, C Guichaoua, N Juillet Rendiconti del Seminario Matematico della Università di Padova 152, 45-58, 2024 | 2 | 2024 |
| Generating multiple hierarchical segmentations of music sequences using adapted correlative matrices P Lascabettes, C Guichaoua, E Chew 19th Sound and Music Computing Conference (SMC 2022), 2022 | 2 | 2022 |
| Inférence de segmentation structurelle par compression via des relations multi-échelles dans les séquences d'accords C Guichaoua, F Bimbot Journées d'Informatique Musicale (JIM 2018), 2018 | 2 | 2018 |
| Taking music seriously: on the dynamics of'mathemusical'research with a focus on Hexachordal Theorems M Andreatta, C Guichaoua, N Juillet SIGMA. Symmetry, Integrability and Geometry: Methods and Applications 20, 009, 2024 | 1 | 2024 |
| An Interactive Tool for Composing (with) Automorphisms in the Colored Cube Dance A Popoff, C Guichaoua, M Andreatta Mathematics and Computation in Music: 8th International Conference, MCM 2022 …, 2022 | 1* | 2022 |
| The Tonnetz at First Sight: Cognitive Issues of Human–Computer Interaction with Pitch Spaces JL Besada, E Bisesi, C Guichaoua, M Andreatta Music & Science 7, 20592043241246515, 2024 | | 2024 |
| Acte musical et environnements informatiques (Journées d'Informatique Musicale 2020-JIM 2020) N Hérold, C Guichaoua, T Mays Université de Strasbourg/Faculté des Arts, 2024 | | 2024 |
| Generating Multiple Hierarchical Segmentations of Music Sequences Using Correlative Matrices P Lascabettes, C Guichaoua, E Chew Sound and Music Computing Conference, 338-345, 2022 | | 2022 |
| From Dürer's Magic Square to Klumpenhouwer Tesseracts: On Melencolia (2013) by Philippe Manoury JL Besada Portas, C Guichaoua, M Andreatta Wiley, 2022 | | 2022 |
| A Model of Rhythm Transcription as Path Selection through Approximate Common Divisor Graphs G Romero-García, C Guichaoua, E Chew 7th International Conference on Technologies for Music Notation and …, 2022 | | 2022 |
| From Dürer's Magic Square to Klumpenhouwer Tesseracts: On Melencolia (2013) by Philippe Manoury JL Besada, C Guichaoua, M Andreatta Music Analysis 41 (1), 145-182, 2022 | | 2022 |
| Conceptualizing chord relationships via spatial visualization within the Tonnetz M Andreatta, E Bisesi, C Guichaoua, JL Besada COGNITIVE PROCESSING 22 (SUPPL 1), 13-13, 2021 | | 2021 |
Frédéric BimbotDirecteur de Recherche CNRS, Equipe PANAMA (IRISA, INRIA, Rennes 1 University)在 irisa.fr 的电子邮件经过验证
