| Pynchon's postnational imagination S Pöhlmann Winter, 2010 | 30 | 2010 |
| Collapsing Identities: The Representation and Imagination of the Terrorist in Falling Man S Pöhlmann Terrorism, Media, and the Ethics of Fiction: Transatlantic Perspectives on …, 2010 | 27 | 2010 |
| The Complex Text S Pöhlmann Against the Grain, 9-34, 2010 | 24 | 2010 |
| Against the Grain: Reading Pynchon's Counternarratives S Pöhlmann (No Title), 2010 | 22 | 2010 |
| Revolutionary Leaves: The Fiction of Mark Z. Danielewski S Pöhlmann Cambridge Scholars Publishing, 2013 | 12 | 2013 |
| “I Just Look at Books”: Reading the Monetary Metareality of Bleeding Edge S Pöhlmann Orbit-An international Journal On Orbital Disorders and Facial …, 2016 | 10 | 2016 |
| ‘A House of One’s Own’: House of Leaves as a Modernist Text S Huber, S Pöhlmann Revolutionary Leaves: The Fiction of Mark Z. Danielewski, 123-136, 2012 | 10 | 2012 |
| The Democracy of Two: Whitmanian Politics in'Only Revolutions' S Pöhlmann | 10 | 2012 |
| Cosmographie Metafiction in Sesshu Foster's" Atomik Aztex" S Pöhlmann Amerikastudien/American Studies, 223-248, 2010 | 10 | 2010 |
| Future-Founding Poetry: Topographies of Beginnings from Whitman to the Twenty-First Century S Pöhlmann Boydell & Brewer, 2015 | 9 | 2015 |
| Playing the field: Video games and American studies S Pöhlmann Walter de Gruyter GmbH & Co KG, 2019 | 8 | 2019 |
| Silences and Worlds: Wittgenstein and Pynchon S Pöhlmann Pynchon Notes 56, 158-80, 2009 | 6 | 2009 |
| How the Other Half Dies: Narrating Identities in Shelley Jackson’s' Half Life' S Pöhlmann | 6 | 2008 |
| Queer Postnationalism in'Breakfast On Pluto' S Pöhlmann InterAlia: Pismo poświęcone studiom queer, 2008 | 5 | 2008 |
| Pynchon and Post-postmodernism S Pöhlmann The New Pynchon Studies, 17-32, 2019 | 4 | 2019 |
| Fictions of the Internet and Transmedial Storytelling in the Digital Age: Thomas Pynchon’s' Bleeding Edge'(2013) and Mark Z. Danielewski’s' The Familiar'(20I5-) S Pöhlmann | 4 | 2019 |
| Whitman's Compost: The Romantic Posthuman Futures of Cascadian Black Metal S Pöhlmann Act. Zeitschrift für Musik & Performance 6, 2015 | 4 | 2015 |
| CHAPTER FIVE SHINING ON THE NOTHING NEW: RE-MAKING THE WORLD IN MARK Z. DANIELEWSKI’S ONLY REVOLUTIONS S Pöhlmann R| EVOLUTIONS: Mapping Culture, Community, and Change from Ben Jonson to …, 2009 | 4 | 2009 |
| Multimodality as a Limit of Narrative in Mark Z. Danielewski’s The Familiar S Pöhlmann Culture & Theory| Volume 268, 129, 2022 | 3 | 2022 |
| Introduction: Video Games and American Studies S Pöhlmann | 3 | 2019 |
