| Neo-Riemannian theory and the analysis of pop-rock music G Capuzzo Music Theory Spectrum 26 (2), 177-199, 2004 | 192 | 2004 |
| Sectional tonality and sectional centricity in rock music G Capuzzo Music Theory Spectrum 31 (1), 157-174, 2009 | 80 | 2009 |
| Rhythmic deviance in the music of Meshuggah G Capuzzo Music Theory Spectrum 40 (1), 121-137, 2018 | 37 | 2018 |
| The Complement Union Property in the Music of Elliott Carter G Capuzzo Journal of Music Theory 48 (1), 1-24, 2004 | 32 | 2004 |
| Pat Martino’s the nature of the guitar: an intersection of jazz theory and neo-riemannian theory G Capuzzo Music Theory Online 12 (1), 1-17, 2006 | 27 | 2006 |
| Elliott Carter's What Next?: Communication, Cooperation, and Separation G Capuzzo University Rochester Press, 2012 | 21 | 2012 |
| Registral Constraints on All-Interval Rows in Elliott Carter's Changes G Capuzzo Integral, 79-108, 2007 | 14 | 2007 |
| A Pedagogical Approach to Minor Pentatonic Riffs in Rock Music G Capuzzo Journal of Music Theory Pedagogy 23 (1), 3, 2009 | 13 | 2009 |
| Variety Within Unity: Expressive Ends and their Technical Means in the Music of Elliott Carter, 1983-1994 G Capuzzo PhD diss., Eastman School of Music (University of Rochester), 1999 | 13 | 1999 |
| Lewin's Q Operations in Carter's" Scrivo in Vento" G Capuzzo Theory and Practice 27, 85-98, 2002 | 8 | 2002 |
| Variety within unity: Expressive means and their technical ends in the music of Elliott Carter, 1983--1994 G Capuzzo University of Rochester, Eastman School of Music, 2000 | 4 | 2000 |
| ‘Dance to the Dissonant Sway’: Groove, Headbanging, and Entrainment in Extreme Metal G Capuzzo Annual Meeting of the Society for Music Theory, online, November, 7-8, 2020 | 2 | 2020 |
| The Backcycle Progression-A Supplement to the Omnibus Progression for the Study of Chromatic Harmony G Capuzzo Journal of Music Theory Pedagogy 28 (1), 2, 2014 | 2 | 2014 |
| Elliott Carter's Shard: An Analysis G Capuzzo Guitar Review, 11-12, 2003 | 1 | 2003 |
| Letter from Guy Capuzzo G Capuzzo Tempo, 53-53, 1998 | 1 | 1998 |
| Identity in Excess: Trans Identities Expressed Through Hyperpop P Jones The University of North Carolina at Greensboro, 2024 | | 2024 |
| The Year of the Girl: Nostalgia and Girlhood Portrayed in the Music of Taylor Swift MC Chappell The University of North Carolina at Greensboro, 2024 | | 2024 |
| Elliott Carter and Musical Silence: Intermittences and “Sound and Silence in Time” G Capuzzo Journal of Music Theory 64 (1), 37-61, 2020 | | 2020 |
| Rhythmic Deviance in the Music of Meshuggah (vol 40, pg 121, 2018) G Capuzzo MUSIC THEORY SPECTRUM 40 (1), 177-177, 2018 | | 2018 |
| Neil Young and the Poetics of Energy G Capuzzo Music Theory Spectrum 30 (2), 361-365, 2008 | | 2008 |
