| Zoom face: Self-Surveillance, performance and display TD Sumner Journal of Intercultural Studies 43 (6), 865-879, 2022 | 14 | 2022 |
| Lyric Eye: The Poetics of Twentieth-Century Surveillance TD Sumner Routledge: New York, 2021 | 6 | 2021 |
| Lionel Fogarty: Selected Poems 1980-2017 L Fogarty https://books.google.com.au/books/about …, 2017 | 5 | 2017 |
| What’s in a Name?: A Cross-Section of Biography, Gender & Metadata in the Design & Art Australia Online Database TD Sumner, R Fensham, N Cutter, J Mendelssohn Proceedings of the twentieth international conference on Dublin Core and …, 2022 | 3 | 2022 |
| The Slipperiness of Name: Biography and Gender in Australian Cultural Databases N Cutter, R Fensham, TD Sumner Gender & History, 2023 | 2 | 2023 |
| Wild Spiders Crying Together: Confessional Poetry, Censorship and the Cold War TD Sumner Censorship and the Limits of the Literary: A Global View, 161, 2015 | 2 | 2015 |
| Identity is cruel: capital, gimmick and surveillance in the Australian post-diasporic short story K Allahyari, T Sumner Australian Humanities Review, 1-1, 2021 | 1 | 2021 |
| The Politics of Disgust: Form and Feeling in Christos Tsiolkas's Merciless Gods K Allahyari, TD Sumner Antipodes 35 (1), 36-52, 2021 | 1 | 2021 |
| Transforming the Subject, Transforming Ourselves: Resisting the Surveillant Turn in Virtual Learning Environments T Sumner, B Martin https://www.digitalcultureandeducation.com/reflections-on-covid19 …, 2020 | 1 | 2020 |
| Merchants of Pathos: Confessional Poetry, Publicity, and Privacy in Cold-War America TD Sumner University of Melbourne, School of Culture and Communication, 2013 | 1 | 2013 |
| The way the portal wrote: Datafication and subjectivity in Patricia Lockwood's No One Is Talking About This TD Sumner Interdisciplinary Science Reviews 49 (2), 252-268, 2024 | | 2024 |
| Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine R Fensham, TD Sumner, N Cutter, G Buchanan, R Liu, J Munoz, ... Digital Humanities Quarterly 18 (2), 2024 | | 2024 |
| More Than a Lab: Infra-Structuring the Humanities in the Digital Studio R Fensham, N Grincheva, TD Sumner Digital Humanities and Laboratories, 89-104, 2023 | | 2023 |
| Pixel, Partition, Persona: Machine Vision and Face Recognition in Kazuo Ishiguro’s Klara and the Sun TD Sumner Open Library of Humanities 9 (2), 2023 | | 2023 |
| What’s in a Name?: A Cross-Section of Biography, Gender & Metadata in Cultural and Performing Arts Databases TD Sumner, R Fensham, N Cutter, J Mendelssohn Proceedings of the International Conference on Dublin Core and Metadata …, 2023 | | 2023 |
| Small Data is Beautiful R Fensham, TD Sumner, S Ravn, A Barnwell, D Butt Grattan Street Press, 2023 | | 2023 |
| The Surveillant Power of the [A]Temporal Cameo: Twin Peaks, Fire Walk with Me TD Sumner I'm Not a Film Star: David Bowie as Actor, 199-218, 2022 | | 2022 |
| False Face Must Hide What the False Heart Doth Know: The Literary Face in the Age of AI TD Sumner Adjunct Proceedings of the 2021 ACM International Joint Conference on …, 2021 | | 2021 |
| Digital Voyeurism: The Surveillance Poetics of James Baldwin and Langston Hughes TD Sumner 2021 MLA Annual Convention, 2021 | | 2021 |
| Discovery, Democracy, Difference: The AustLit API and Australia’s Literary Landscape TD Sumner 2021 MLA Annual Convention, 2021 | | 2021 |
Rachel FenshamUniversity of Melbourne在 unimelb.edu.au 的电子邮件经过验证
