| 9/11 fiction, empathy, and otherness T Gauthier Lexington Books, 2015 | 90 | 2015 |
| Narrative Desire and Historical Reparations: AS Byatt, Ian McEwan, Salman Rushdie T Gauthier | 71 | 2013 |
| Selective in your mercies": Privilege, Vulnerability and the Limits of Empathy in Ian McEwan's Saturday T Gauthier College Literature, 7-30, 2013 | 35 | 2013 |
| Identity, Self-Loathing and the Neocolonial Condition in Patrick McCabe's The Butcher Boy T Gauthier Critique: Studies in Contemporary Fiction 44 (2), 196-212, 2003 | 34 | 2003 |
| 9/11, image control, and the graphic narrative: Spiegelman, Rehr, Torres T Gauthier Journal of Postcolonial Writing 46 (3-4), 369-380, 2010 | 14 | 2010 |
| Rock Music as Cosmopolitan Touchstone in Salman Rushdie’s The Ground Beneath Her Feet T Gauthier Writing in Tune: Contemporary Music in Fiction, 155-168, 2014 | 5 | 2014 |
| Black Dogs: Ian McEwan’s Post-Holocaust Anxiety TS Gauthier Narrative Desire and Historical Reparations: AS Byatt, Ian McEwan, Salman …, 2006 | 5 | 2006 |
| Zombies, the Uncanny, and the City: Colson Whitehead's Zone One TS Gauthier The City since 9/11: Literature, Film, Television, 109-125, 2016 | 4 | 2016 |
| French fiction, empathy, and the utopian potential of 9/11 T Gauthier Studies in 20th & 21st Century Literature 37 (1), 7, 2013 | 4 | 2013 |
| Authenticity and Hybridity in the Post-Colonial Moment: Brian Friel's Field Day Plays T Gauthier Locust Hill Press, 2003 | 4 | 2003 |
| Negotiating community in the interregnum: zombies and others in Robert Kirkman’s the walking dead T Gauthier Journal of Graphic Novels and Comics 10 (5-6), 543-561, 2018 | 3 | 2018 |
| Field Day Pamphlets (1983-1988) T Gauthier s. A, 2002 | 2 | 2002 |
| Narratives about the Falling Persons of 9/11 TS Gauthier September 11 in Popular Culture: A Guide, 0 | 2 | |
| Mobility, Virality, and Security in Hari Kunzru's Transmission T Gauthier Transnational Narratives in Englishes of Exile, 1-21, 2017 | 1 | 2017 |
| Narrative desire and historical reparations: Three contemporary British authors TS Gauthier University of Nevada, Las Vegas, 2003 | 1 | 2003 |
| Circumventing the Condemnation Imperative: The Figure of the Female Suicide Bomber in Akin and El Akkad T Gauthier The Figure of the Terrorist in Literature and Visual Culture, 203-221, 2023 | | 2023 |
| “I Can Spin Some Bullshit If You Want”: Narrating (and Bridging?) The Civil-Military Divide in Phil Klay’s Redeployment T Gauthier Journal of Veterans Studies 6 (1), 2020 | | 2020 |
| “Conceptual Confusion: The Ambiguities of the War on Terror in Joydeep Roy- Bhattacharya’s The Watch and Andrew O’Hagan’s The Illuminations” T Gauthier Terrorism and Literature, 412-431, 2018 | | 2018 |
| 9/11, image control, and the graphic narrative: Spiegelman, Rehr, Torres T Gauthier Literature, Migration and the'War on Terror', 115-126, 2013 | | 2013 |
| Spotlight Essay: Falling Man by Don DeLillo T Gauthier Greenwood Press, 2010 | | 2010 |
