| The Pacific festivals of Aotearoa New Zealand: Negotiating place and identity in a new homeland J Mackley-Crump University of Hawaii Press, 2017 | 50 | 2017 |
| The festivalisation of Pacific cultures in New Zealand: Diasporic flow and identity within'a sea of islands' J Mackley-Crump University of Otago, 2012 | 20 | 2012 |
| From private performance to the public stage: Reconsidering ‘staged authenticity’and ‘traditional’performances at the Pasifika Festival J Mackley-Crump Anthropological Forum 26 (2), 155-176, 2016 | 19 | 2016 |
| The festivalization of Pacific cultures in New Zealand: Diasporic flow and identity within transcultural contact zones J Mackley-Crump Musicology Australia 35 (1), 20-40, 2013 | 19 | 2013 |
| Malaga—The Journey: The Performing Arts as Motivational Tool for Pasifika Students in Aotearoa New Zealand J Mackley-Crump The Asia Pacific Journal of Anthropology 12 (3), 255-273, 2011 | 19 | 2011 |
| The FAFSWAG ball: Event spaces, counter-marginal narratives and walking queer bodies into the centre J Mackley-Crump, K Zemke Marginalisation and Events, 93-109, 2019 | 10 | 2019 |
| A ‘Pacific renaissance’?: Exploring the Pacific diaspora in Aotearoa New Zealand through the evolution of festivals and popular music J Mackley-Crump Journal of New Zealand & Pacific Studies 3 (2), 149-166, 2015 | 8 | 2015 |
| ‘Sissy that walk’: Reframing queer Pacific bodies through the FAFSWAG Ball K Zemke, J Mackley-Crump Queer Studies in Media & Popular Culture 4 (1), 85-98, 2019 | 7 | 2019 |
| Negotiating Place and Identity in a New Homeland: The Pacific Festivals of Aotearoa New Zealand J Mackley-Crump University of Hawai'i Press, 2015 | 7 | 2015 |
| Protesting@ Auckland pride: When a community stakeholder becomes alienated J Mackley-Crump The Routledge Handbook of Festivals, 204-213, 2018 | 3 | 2018 |
| An interview with King Kapisi, Awanui Reeder and Ryan Monga: Riffing on Pacific festivals and the notion of'Pacific music' J Mackley-Crump Perfect Beat 16 (1/2), 87, 2015 | 3 | 2015 |
| The Pacific festival space: Understanding and contextualising the importance of community J Mackley-Crump Talanoa: Building a Pasifika Research Culture, 53-70, 2014 | 3 | 2014 |
| The FAFSWAG ball J Mackley-Crump, K Zemke Marginalisation and Events, 2019 | 2 | 2019 |
| “I’ma school that bitch”: Gay rappers defying binaries and expressing fierceness K Zemke, J Mackley-Crump Rethinking Difference in Gender, Sexuality, and Popular Music, 131-149, 2018 | 2 | 2018 |
| When a community stakeholder becomes alienated J Mackley-Crump The Routledge Handbook of Festivals, 2018 | 1 | 2018 |
| Tourism and memories of home: migrants, displaced people, exiles, and diasporic communities J Mackley-Crump Journal of Tourism and Cultural Change 16 (2), 208-210, 2018 | 1 | 2018 |
| Collapsing social distance with cake and tea: The influence of Indigenous methodologies J Mackley-Crump Approaches and Methods in Event Studies, 163-176, 2016 | 1 | 2016 |
| “I Hope God Blesses You with a Beautiful Wife”: Negotiating Heteronormative Research Spaces as a Gay Man J Mackley-Crump The Routledge Companion to Ethics and Research in Ethnomusicology, 170-181, 2022 | | 2022 |
| 9. Six-Inch Heels and Queer Black Femmes Beyoncé and Black Trans Women J MACKLEY-CRUMP, K ZEMKE Beyoncé in the World: Making Meaning with Queen Bey in Troubled Times, 237, 2021 | | 2021 |
| CHAPTER FOUR POLYFEST SOUNDING OUT THE DEEP SOUTH JARED MACKLEY-CRUMP J MACKLEY-CRUMP Making Music at the Bottom of the World in Southland, Aotearoa/New Zealand, 45, 2020 | | 2020 |
