Exploring XAI for the Arts: Explaining Latent Space in Generative Music N Bryan-Kinns, B Banar, C Ford, CN Reed, Y Zhang, S Colton, J Armitage eXplainable AI approaches for debugging and diagnosis., 2021 | 28 | 2021 |
Crafting Digital Musical Instruments: An Exploratory Workshop Study J Armitage, A McPherson New Interfaces for Musical Expression, 2018 | 18 | 2018 |
Making Sense of Sensors: Discovery Through Craft Practice With an Open-Ended Sensor Material C Nordmoen, J Armitage, F Morreale, R Stewart, A McPherson Proceedings of the 2019 on Designing Interactive Systems Conference, 135-146, 2019 | 16 | 2019 |
"The finer the musician, the smaller the details": NIMEcraft under the microscope J Armitage, F Morreale, A McPherson New Instruments for Musical Expression, 2017 | 15 | 2017 |
Effect of Instrument Structure Alterations on Violin Performance F Morreale, J Armitage, A McPherson Frontiers in Psychology 9, 2436, 2018 | 14 | 2018 |
Studying Subtle and Detailed Digital Lutherie: Motivational Contexts and Technical Needs J Armitage, T Magnusson, A McPherson Proc. New Interfaces for Musical Expression, 2023 | 8 | 2023 |
The Proto-Langspil: Launching an Icelandic NIME Research Lab with the Help of a Marginalised Instrument J Armitage, T Magnusson, V Shepardson, H Ulfarsson NIME 2022, 2022 | 8 | 2022 |
Bricolage in a hybrid digital lutherie context: a workshop study J Armitage, A McPherson Proceedings of the 14th International Audio Mostly Conference: A Journey in …, 2019 | 8 | 2019 |
Design Process in Visual Programming: Methods for Visual and Temporal Analysis J Armitage, T Magnusson, A McPherson Proc. Sound and Music Computing Conference, 2023 | 7 | 2023 |
Embedded AI for NIME: Challenges and Opportunities T Pelinski, V Shepardson, S Symons, FS Caspe, ALB Temprano, ... International Conference on New Interfaces for Musical Expression, 2022 | 7 | 2022 |
Sculpting Algorithmic Pattern: Informal and Visuospatial Interaction in Musical Instrument Design J Armitage, T Magnusson, A McPherson Proc. Sound and Music Computing Conference, 2023 | 6 | 2023 |
A Scale-Based Ontology of Digital Musical Instrument Design J Armitage, T Magnusson, A McPherson Proc. New Interfaces for Musical Expression, 2023 | 5* | 2023 |
Subtlety and detail in digital musical instrument design J Armitage Queen Mary University of London, 2022 | 5 | 2022 |
Re-engaging the Body and Gesture in Musical Live Coding S Salazar, J Armitage New Interfaces for Musical Expression, 2018 | 5 | 2018 |
Agential Scores: Exploring Emergent, Self-Organising and Entangled Music Notation J Armitage, T Magnusson Proc. 8th International Conference on Technologies for Music Notation and …, 2023 | 4 | 2023 |
The Stenophone: Live coding on a chorded keyboard with continuous control J Armitage, A McPherson International Conference on Live Coding, 2017 | 4 | 2017 |
Notochord: a Flexible Probabilistic Model for Embodied MIDI Performance V Shepardson, J Armitage, T Magnusson Proceedings of the 3rd Conference on AI Music Creativity, AIMC., 2022 | 3 | 2022 |
Performance Systems for Live Coders and Non-Coders A Sarwate, R Rose, J Armitage, J Freeman New Interfaces for Musical Expression 2018, 2018 | 3 | 2018 |
Building an IDE for an embedded system using web technologies L Donovan, SMA Bin, J Armitage, AP McPherson Web Audio Conference, 2017 | 3 | 2017 |
Explainable AI in Music Performance: Case Studies from Live Coding and Sound Spatialisation J Armitage, N Privato, V Shepardson, CB Gutierrez XAI in Action: Past, Present, and Future Applications, 2023 | 2 | 2023 |