| Shut up'n'play! negotiating the musical work S Östersjö | 88 | 2008 |
| Beyond Validity. H Frisk, S Östersjö Swedish Journal of Musicology/Svensk Tidskrift foer Musikforskning 95, 2013 | 38 | 2013 |
| Listening to the Other S Östersjö Leuven University Press, 2020 | 32 | 2020 |
| Thinking-through-music: On knowledge production, materiality, embodiment, and subjectivity in artistic research S Östersjö Leuven University Press, 2017 | 31 | 2017 |
| Habitus and the resistance of culture K Coessens, S Östersjö Artistic experimentation in music: An anthology, 333-47, 2014 | 27 | 2014 |
| Shut up ‘n’play S Östersjö Negotiating the musical work, 2008 | 27 | 2008 |
| Choose your own adventure music: On the emergence of voice in musical collaboration D Gorton, S Östersjö Contemporary Music Review 35 (6), 579-598, 2016 | 26 | 2016 |
| The resistance of the Turkish Makam and the habitus of a performer. Reflections on a collaborative CD-project with Erdem Helvacioǧlu S Östersjö Contemporary Music Review 32 (2-3), 201-213, 2013 | 25 | 2013 |
| Fluid practices, solid roles? E Clarke, M Doffman, D Gorton, S Östersjö Distributed creativity: Collaboration and improvisation in contemporary …, 2017 | 23 | 2017 |
| Musical expression from conception to reception D Crispin, S Östersjö Musicians in the making: Pathways to creative performance 1, 288, 2017 | 22 | 2017 |
| Decomposing a composition: On the multi-layered analysis of expressive music performance E Coorevits, D Moelants, S Östersjö, D Gorton, M Leman Music, Mind, and Embodiment: 11th International Symposium, CMMR 2015 …, 2016 | 21 | 2016 |
| Negotiating the Musical Work. An empirical study on the inter-relation between composition, interpretation and performance H Frisk, S Östersjö Electroacoustic Music Studies Network, Beijing, 2006 | 17 | 2006 |
| Go To Hell: Towards a Gesture-Based Compositional Practice S Östersjö Contemporary Music Review 35 (4-5), 475-499, 2016 | 16 | 2016 |
| Negotiating the musical work: An empirical study H Frisk, S Östersjö ICMC, 2006 | 14 | 2006 |
| Traditions in transformation: The function of openness in the interaction between musicians S Östersjö, NT Thủy Re) Thinking Improvisation: Artistic Explorations and Conceptual Writing …, 2013 | 12 | 2013 |
| (re) thinking Improvisation: artistic explorations and conceptual writing H Frisk, S Östersjö Doctoral Studies and Research in Fine and Performing Arts, 2013 | 10 | 2013 |
| Art Worlds, Voice and Knowledge: thoughts on quality assessment of artistic research outcomes S Östersjö ÍMPAR Online journal for artistic research 3 (2), 60-69, 2019 | 9 | 2019 |
| Participation and creation: towards an ecological understanding of musical creativity HS Stefánsdóttir, S Östersjö la Deleuziana 10, 371-85, 2019 | 9 | 2019 |
| Voices, bodies, practices: performing musical subjectivities C Laws, D Gorton, W Brooks Leuven University Press, 2019 | 8 | 2019 |
| Repetition, resonance, and discernment K Coessens, H Frisk, S Östersjö Artistic experimentation in music: An anthology, 349-63, 2014 | 8 | 2014 |
Henrik FriskProfessor of Music在 kmh.se 的电子邮件经过验证
