The representation of African traditional religion and culture in Nigeria popular films IE Uwah Politics and Religion Journal 5 (1), 81-102, 2011 | 48 | 2011 |
Nollywood films as a site for constructing contemporary African identities: The significance of village ritual scenes in Igbo films IE Uwah African Communication Research 1 (1), 87-112, 2008 | 24 | 2008 |
The rhetoric of culture in Nollywood IE Uwah Edu-Edy Publications, 2013 | 16 | 2013 |
Identity and culture in theorising African perspectives of communication: The case of an African cinematic model I Uwah Communicatio 38 (2), 181-194, 2012 | 12 | 2012 |
From rituals to films: a case study of the visual rhetoric of Igbo culture in Nolywood films IE Uwah Dublin City University, 2009 | 11 | 2009 |
The motion picture industry in Nigeria: A critical appraisal F Shaka, I Uwah, O Uchendu African Communication Research 7 (2), 199-224, 2014 | 6 | 2014 |
New Nollywood (diaspora) films and the concern for social issues IE Uwah Journal of African Films and Diaspora Studies 1 (2), 63, 2018 | 3 | 2018 |
Interrogating feminist agitation of vulnerable female subjectivities in the plays of Julie Okoh I Uwah African female playwrights: A study of matter and manner. Enugu, ABIC Books …, 2016 | 3 | 2016 |
Nollywood and post colonial pan-Africanism: Deciphering the trans-nationality of African cultures in the Nigerian popular film industry IE Uwah African Communication Research 4, 87-118, 2010 | 3 | 2010 |
Between traditional Christian theology and moral parables of African popular films: Communicating gospel values contextually IE Uwah UJAH: Unizik Journal of Arts and Humanities 16 (2), 56-97, 2015 | 2 | 2015 |
The iconography of belligerent atrocities in Nigeria and Nollywood video-films IE Uwah Creative Artist: A Journal of Theatre and Media Studies 9 (1), 1-17, 2015 | 1 | 2015 |
Nollywood and post-colonial Pan-Africanism: Deciphering the IE Uwah Communication and Pan-Africanism 87, 67-118, 2011 | 1 | 2011 |
African Cinema (s) and Theorizations: Arts, Scholarship & Debates IE Uwah, N Bature-Uzor | | 2023 |
Of Swindlers and Profiteers: Metaphors of Dysfunctional Politics in Postcolonial African Cinematic Narratives IE Uwah The International Journal of New Media, Technology and the Arts 14 (3), 13, 2019 | | 2019 |
Nollywood Nation:(on the Industry, Practice & Scholarship of Cinema in Nigeria): a Festschrift in Honour of Prefessor Femi Okiremuette Shaka O Okome, IE Uwah, F Nwafor University of Port Harcourt Press Limited, 2019 | | 2019 |
Multiculturalism in Africa vis-à-vis Alan Channer’s The Imam and The Pastor (2008) IE Uwah Cameroon Journal of Studies in the Commonwealth (CJSC), 196, 2019 | | 2019 |
CONTEXTUAL CINEMAS: SCREENING EVERYDAYNESS OF AFRICA IN NOLLYWOOD IE Uwah JOURNAL OF THE INSTITUTE FOR AFRICAN STUDIES http://africajournal.ru 2 ((47 …, 2019 | | 2019 |
Repositioning Nollywood in a Struggling Economy: The Need to Reform a Self-Help Industry for Maximum Impact in Nigeria I Uwah Black Renaissance/Renaissance Noire 19 (1), 126-136, 2019 | | 2019 |
Things Fall ApartOn Screen IE Uwah Chinua Achebeís Legacy: Illuminations from Africa, 106, 2015 | | 2015 |