| The algorithmic dance: YouTube’s Adpocalypse and the gatekeeping of cultural content on digital platforms S Kumar Internet Policy Review 8 (2), 2019 | 77 | 2019 |
| Contagious memes, viral videos and subversive parody: The grammar of contention on the Indian web S Kumar International Communication Gazette 77 (3), 232-247, 2015 | 73 | 2015 |
| Charting an itinerary for postcolonial communication and media studies S Kumar, R Parameswaran Journal of communication 68 (2), 347-358, 2018 | 60 | 2018 |
| Google Earth and the nation state: Sovereignty in the age of new media S Kumar Global Media and Communication 6 (2), 154-176, 2010 | 51 | 2010 |
| Political parody and satire as subversive speech in the global digital sphere S Kumar, K Combe International Communication Gazette 77 (3), 211-214, 2015 | 41 | 2015 |
| Online Entertainment| YouTube nation: precarity and agency in India’s online video scene S Kumar International Journal of Communication 10, 18, 2016 | 40 | 2016 |
| Transgressing boundaries as the hybrid global: Parody and postcoloniality on Indian television S Kumar News Parody and Political Satire Across the Globe, 79-92, 2013 | 36 | 2013 |
| A river by any other name: Ganga/Ganges and the postcolonial politics of knowledge on Wikipedia S Kumar Information, Communication & Society 20 (6), 809-824, 2017 | 19 | 2017 |
| The digital frontier: Infrastructures of control on the global web S Kumar Indiana University Press, 2021 | 15 | 2021 |
| The fatal snare of proximity: live television, new media and the witnessing of Mumbai attacks S Kumar Television at Large in South Asia, 50-66, 2015 | 8 | 2015 |
| Postcolonial identity in a globalizing India: case studies in visual, musical and oral culture S Kumar PhD (Doctor of Philosophy) thesis, University of Iowa. https://doi. org/10 …, 2010 | 6 | 2010 |
| Beyond the Nation S Kumar, S Mohan, A Punathambekar Creator culture: An introduction to global social media entertainment, 170, 2021 | 5 | 2021 |
| The Global as the Postcolonial: Desire, Identity, and Liminality in Indian Rock. S Kumar International Journal of Communication (19328036) 10, 2016 | 5 | 2016 |
| Articulation as a site of discursive struggle: Globalization and nationalism in an Indian media debate S Kumar Journal of Communication Inquiry 38 (2), 113-130, 2014 | 5 | 2014 |
| Richard Rogers, Digital Methods S Kumar International Journal of Communication 8, 3, 2014 | 4* | 2014 |
| Plant diversity along river Ganga S Kumar Sai Publishers, 2001 | 4 | 2001 |
| Twitter as Liveness: #ShamedInSydney and the Paradox of Participatory Live Television S Kumar Global Digital Cultures Perspectives from South Asia, 184-200, 2019 | 3 | 2019 |
| Introduction to the Special Issue Forum “Digital Cultures of South Asia: Inequalities, Informatization, Infrastructures” K Chadha, S Kumar, R Parameswaran Communication, Culture and Critique 14 (3), 487-490, 2021 | 2 | 2021 |
| Tasks, sacrifices and digitized rituals: interpellating the Indian subject through rites of nationalism S Kumar Media, Culture & Society, 01634437231214190, 2024 | | 2024 |
| Manipulated Facts and Spreadable Fantasies: Battles Over History in the Indian Digital Sphere S Kumar Disinformation in the Global South, 26-40, 2022 | | 2022 |
Radhika ParameswaranIndiana University在 indiana.edu 的电子邮件经过验证
