| Beyond scenography R Hann Routledge, 2018 | 172 | 2018 |
| Debating critical costume: Negotiating ideologies of appearance, performance and disciplinarity R Hann Studies in Theatre and Performance 39 (1), 21-37, 2019 | 30 | 2019 |
| Editorial: Critical Costume R Hann, S Bech Scene 2 (1-2), 3-8, 2014 | 21* | 2014 |
| Practice matters: Arguments for a ‘second wave’of practice research R Hann Wordpress. com, 2015 | 10 | 2015 |
| Addressing practice: Introducing a new section for STP R Hann, VL de Guevara Studies in Theatre and Performance 35 (1), 3-6, 2015 | 8 | 2015 |
| Blurred Architecture: Duration and performance in the work of Diller Scofidio+ Renfro R Hann Performance Research 17 (5), 9-18, 2012 | 8 | 2012 |
| Computer-based 3D visualization for theatre research: towards an understanding of unrealized utopian theatre architecture from the 1920s and 1930s R Hann | 6* | 2010 |
| At the borders of scenography R Hann Scenography and Art History: Performance Design and Visual Culture, xvi-xviv, 2021 | 5 | 2021 |
| On Atmospherics: Staging Stormzy and nonbinary thinking R Hann Ambiances. Environnement sensible, architecture et espace urbain, 2021 | 4 | 2021 |
| Justice Scenographics: Preparing for civilization change in a time of ‘Anywheres’ and ‘Somewheres’ R Hann Design Studio for Social Intervention, 2020 | 4 | 2020 |
| Gender-assemblages: The scenographics of Sin Wai Kin R Hann Analysing Gender in Performance, 293-310, 2022 | 3 | 2022 |
| Afterword: How to Celebrate R Hann Ecoscenography. An Introduction to Ecological Design for Performance, 191-194, 2021 | 3 | 2021 |
| Interview with Rachel Hann R Hann Journal of Arts Writing by Students 5 (1), 5-12, 2019 | 3 | 2019 |
| Second Wave Practice Research: questions and ways forward R Hann | 3 | 2019 |
| Costume affects: A theory of hugging R Hann TaPRA Annual Conference [The Theatre & Performance Research Association …, 2012 | 3 | 2012 |
| Dwelling in light and sound: An intermedial site for digital opera R Hann International Journal of Performance Arts and Digital Media 8 (1), 61-78, 2012 | 3 | 2012 |
| Producing Trans Performance:‘Transness’ beyond testimony in I, Joan (2022) R Hann Glasgow Theatre Seminar, University of Glasgow, 2022 | 2 | 2022 |
| Why Trans Performance Matters: Cisgenderism and Performance Making since 2010 R Hann Public Lecture, Royal Central School of Speech and Drama Research Office, London, 2021 | 2 | 2021 |
| Modelling Kiesler’s Endless Theatre: approaches to paradata for heritage visualization R Hann Theatre and Performance Design 7 (1-2), 96-115, 2021 | 2 | 2021 |
| Costume Politics R Hann SharedSpace: Music, Weather, Politics, 112-131, 2016 | 2 | 2016 |
