Beyond Validity. H Frisk, S Östersjö Swedish Journal of Musicology/Svensk Tidskrift foer Musikforskning 95, 2013 | 39 | 2013 |
Performance values–an artistic research perspective on music performance anxiety in classical music F Skoogh, H Frisk Journal for Research in Arts and Sports Education 3 (1), 2019 | 30 | 2019 |
Improvisation, computers, and interaction: Rethinking human-computer interaction through music H Frisk | 30 | 2008 |
Negotiating the Musical Work. An empirical study on the inter-relation between composition, interpretation and performance H Frisk, S Östersjö Electroacoustic Music Studies Network, Beijing, 2006 | 17 | 2006 |
The field of musical improvisation M Cobussen, H Frisk, B Weijland Konturen 2, 168-185, 2009 | 15 | 2009 |
libIntegra: a system for software-independent multimedia module description and storage J Bullock, H Frisk, UCE Birmingham ICMC, 2007 | 15 | 2007 |
Negotiating the musical work: An empirical study H Frisk, S Östersjö ICMC, 2006 | 15 | 2006 |
Time and Interaction: Research through non-visual arts and media H Frisk, H Karlsson The Routledge companion to research in the arts, 277-292, 2010 | 13 | 2010 |
(re) thinking Improvisation: artistic explorations and conceptual writing H Frisk, S Östersjö Doctoral Studies and Research in Fine and Performing Arts, 2013 | 10 | 2013 |
From Foley professional practice to Sonic Interaction Design: initial research conducted within the Radio Sound Studio Project. S Pauletto, R Selfridge, A Holzapfel, H Frisk Nordic sound and music computing conference, 2021 | 9 | 2021 |
Repetition, resonance, and discernment K Coessens, H Frisk, S Östersjö Artistic experimentation in music: An anthology, 349-63, 2014 | 8 | 2014 |
Improvisation and the self: To listen to the other H Frisk, F Schroeder, MÓ hAodha Soundweaving: Writings on Improvisation. Cambridge: Cambridge Scholars …, 2014 | 8 | 2014 |
Sustainability of ‘live electronic’music in the Integra project J Bullock, HA Frisk, L Coccioli MELECON 2008-The 14th IEEE Mediterranean Electrotechnical Conference, 182-187, 2008 | 8 | 2008 |
New communications technology in the context of interactive sound art: An empirical analysis H Frisk, M Yoshida Organised sound 10 (2), 121, 2005 | 8 | 2005 |
Aesthetics, interaction and machine improvisation H Frisk Organised Sound 25 (1), 33-40, 2020 | 7 | 2020 |
The Integra Framework for rapid modular audio application development. J Bullock, H Frisk ICMC, 2011 | 6 | 2011 |
Sounds of futures passed: Media archaeology and design fiction as nime methodologies D Holzer, H Frisk, A Holzapfel NIME 2021, 2021 | 5 | 2021 |
Acts of Creation: thoughts on artistic research supervision H Frisk, K Johansson, Å Lindberg-Sand Brutus Östlings Bokförlag Symposion, 2015 | 5 | 2015 |
Negotiating the musical work H Frisk, S Östersjö An empirical study, 2006 | 5 | 2006 |
The (un) necessary self H Frisk Re) Thinking Improvisation: artistic explorations and conceptual writing, 2013 | 4 | 2013 |