| World and variation: The reproduction and consumption of narrative E Otsuka, M Steinberg Mechademia 5 (1), 99-116, 2010 | 195* | 2010 |
| Teihon monogatari shōhiron Ō Eiji Kadokawa, 2001 | 100* | 2001 |
| 戦後まんがの表現空間: 記号的身体の呪縛 大塚英志 (No Title), 1994 | 48* | 1994 |
| キャラクター小説の作り方 大塚英志 (No Title), 2003 | 40* | 2003 |
| 少女民俗学 大塚英志 光文社, 1998 | 37* | 1998 |
| " Otaku" no seishin shi: 1980 nendai ron Ō Eiji Kōdansha gendai shinsho, 2004 | 34* | 2004 |
| An unholy alliance of Eisenstein and Disney: The fascist origins of otaku culture Ō Eiji, T Lamarre Mechademia: Second Arc 8, 251-277, 2013 | 33 | 2013 |
| Otaku Culture as “Conversion Literature.” Ō Eiji Debating Otaku: Historical Perspectives and New Horizons, 2015 | 31* | 2015 |
| Atomu no meidai Tezuka Osamu to sengo manga no shudai E Ôtsuka Tôkyô: Kadokawa shoten, 2009 | 29* | 2009 |
| 教養としての “まんが・アニメ” 大塚英志， ササキバラゴウ 講談社, 2001 | 24* | 2001 |
| Japanimêshon’wa naze yabureru ka (Why ‘Japanimation’Will Go Down) E Ôtsuka, N Osawa Tokyo: Kadokawa Shoten, 2005 | 22* | 2005 |
| Media mikkusu ka suru nihon Ō Eiji Media mixing Japan)(Tokyo: Shinsho, 2014) and Taisei yokusankai no media mikkusu, 2014 | 20* | 2014 |
| Disarming Atom: Tezuka Osamu's Manga at War and Peace Ō Eiji, T LaMarre Mechademia 3 (1), 111-125, 2008 | 20 | 2008 |
| ストーリーメーカー 大塚英志 | 19* | |
| 物語消費論改 大塚英志 (No Title), 2012 | 15 | 2012 |
| 物語消滅論 大塚英志 角川書店, 2004 | 14* | 2004 |
| “Kanojotachi” no Rengō Sekigun: Sabukaruchâ to sengo minshushugi O Eiji Kadokawa Shoten, Tokyo, 2001 | 14* | 2001 |
| 物語の体操: みるみる小説が書ける 6 つのレッスン 大塚英志 (No Title), 2000 | 11 | 2000 |
| 物語論で読む村上春樹と宮崎駿: 構造しかない日本 大塚英志 角川書店, 2009 | 10 | 2009 |
| Hihyō to otaku to posutomodan Ō Eiji, A Hiroki Shōsetsu torippaa, 2, 2001 | 10* | 2001 |
Marc SteinbergProfessor of Film Studies, Concordia University, Montreal在 concordia.ca 的电子邮件经过验证
Marc SteinbergProfessor of Film Studies, Concordia University, Montreal在 concordia.ca 的电子邮件经过验证