| Creativity and its discontents: China’s creative industries and intellectual property rights offenses L Pang Duke University Press, 2012 | 235 | 2012 |
| Building a new China in cinema: The Chinese left-wing cinema movement, 1932-1937 L Pang Rowman & Littlefield, 2002 | 197 | 2002 |
| Cultural control and globalization in Asia: Copyright, piracy and cinema L Pang Routledge, 2007 | 171 | 2007 |
| The distorting mirror: Visual modernity in China L Pang University of Hawaii Press, 2007 | 138 | 2007 |
| China Who Makes and Fakes' A Semiotics of the Counterfeit L Pang Theory, culture & society 25 (6), 117-140, 2008 | 106 | 2008 |
| The Art of Cloning: Creative Production During China's Cultural Revolution L Pang Verso Books, 2017 | 102 | 2017 |
| The labor factor in the creative economy: A Marxist reading L Pang Social Text 27 (2), 55-76, 2009 | 73 | 2009 |
| The appearing demos: Hong Kong during and after the Umbrella Movement L Pang University of Michigan Press, 2020 | 61 | 2020 |
| Postcolonial Hong Kong cinema: Utilitarianism and (trans) local L Pang Postcolonial Studies 10 (4), 413-430, 2007 | 61 | 2007 |
| Masculinities and Hong Kong Cinema L Pang, D Wong Hong Kong University Press, 2005 | 55 | 2005 |
| Piracy/privacy: The despair of cinema and collectivity in China L Pang boundary 2 31 (3), 101-124, 2004 | 49 | 2004 |
| Introduction, or, What's in an‘s’? C Berry, L Pang Journal of Chinese Cinemas 2 (1), 3-8, 2008 | 46 | 2008 |
| Listening to China’s cultural revolution: Music, politics, and cultural continuities L Pang, P Clark, TH Tsai Springer, 2016 | 44 | 2016 |
| The state against ghosts: a genealogy of China's film censorship policy L Pang Screen 52 (4), 461-476, 2011 | 43 | 2011 |
| Masculinity in crisis: Films of Milkyway image and post-1997 Hong Kong cinema L Pang Feminist Media Studies 2 (3), 325-340, 2002 | 40 | 2002 |
| Hong Kong cinema as a dialect cinema? L Pang Cinema journal 49 (3), 140-143, 2010 | 30 | 2010 |
| Copying Kill Bill L Pang Social Text 23 (2), 133-153, 2005 | 29 | 2005 |
| Walking into and out of the spectacle: China's earliest film scene L Pang Screen 47 (1), 66-80, 2006 | 26 | 2006 |
| Mediating the ethics of technology: Hollywood and movie piracy L Pang Culture, Theory and Critique 45 (1), 19-32, 2004 | 26 | 2004 |
| The Transgression of Sharing and Copying: Pirating Japanese Animation in China L Pang Cultural Studies and Cultural Industries in Northeast Asia: What a …, 2009 | 23 | 2009 |
