| Piece: contra aesthetics T Binkley The Journal of Aesthetics and Art Criticism 35 (3), 265-277, 1977 | 234 | 1977 |
| Future visions: New technologies of the screen P Hayward, T Wollen British Film Institute Press, 1993 | 127 | 1993 |
| On the truth and probity of metaphor T Binkley The Journal of Aesthetics and Art Criticism 33 (2), 171-180, 1974 | 112 | 1974 |
| Esthétique et poétique G Genette Ed. du Seuil, 1992 | 107 | 1992 |
| Wittgenstein’s language T Binkley Springer Science & Business Media, 1973 | 98 | 1973 |
| The vitality of digital creation T Binkley The journal of aesthetics and art criticism 55 (2), 107-116, 1997 | 65 | 1997 |
| Refiguring culture T Binkley Future visions: New technologies of the screen, 92-122, 1993 | 48 | 1993 |
| Deciding about art T Binkley Culture and Art, Atlantic Highlands, NJ, 1976 | 37 | 1976 |
| CAMERA FANTASIA, COMPUTED VISIONS OF VIRTUAL REALITIES T Binkley Millennium Film Journal, 6-43, 1989 | 32 | 1989 |
| Pièce: contre l'esthétique T Binkley Poétique (Collection), 363-383, 1989 | 28 | 1989 |
| Digital dilemmas T Binkley Leonardo 23 (6), 13-19, 1990 | 27 | 1990 |
| The wizard of ethereal pictures and virtual places T Binkley Leonardo 22 (5), 13-20, 1989 | 27 | 1989 |
| Transparent technology: the swan song of electronics T Binkley Leonardo 28 (5), 427-432, 1995 | 23 | 1995 |
| Langer's logical and ontological modes T Binkley The Journal of Aesthetics and Art Criticism 28 (4), 455-464, 1970 | 23 | 1970 |
| The quickening of Galatea: Virtual creation without tools or media T Binkley Art Journal 49 (3), 233-240, 1990 | 22 | 1990 |
| The principle of expressibility T Binkley Philosophy and Phenomenological Research 39 (3), 307-325, 1979 | 20 | 1979 |
| Autonomous Creations: Birthing Intelligent Agents T Binkley Leonardo 31 (5), 333-336, 1998 | 13 | 1998 |
| The computer is not a medium T Binkley | 8 | 1988 |
| Computer art T Binkley | 6 | 1998 |
| Digital Media T Binkley Encyclopedia of Aesthetics 2, 398-401, 1998 | 5 | 1998 |
