| “With an Eye to Their Later Existence as Ruins”: Language, Materiality, and the Ruin in the Work of W.G. Sebald M Schauss Critique: Studies in Contemporary Fiction, 1-19, 2021 | 3 | 2021 |
| The Censor’s “filthy synecdoche”: Samuel Beckett and Censorship M Schauss Sanglap 2 (2), 193, 2016 | 3 | 2016 |
| Investigating ‘Empty Middles’: A Critical Review of Gail Scott’s 'The Obituary' M Schauss Lemon Hound 5, 2013 | 1 | 2013 |
| Speculative World-Building, Modernity, and the Text in Crisis: An Ecological Reading of Renee Gladman’s Ravicka Novels M Schauss Comparative Literature Studies 60 (3), 541-560, 2023 | | 2023 |
| Sebald in translation M Schauss Sebald in Context, 2021 | | 2021 |
| ‘The absolute impossibility of all purchase’: Property and Translation in Beckett’s Post-war Prose. M Schauss Samuel Beckett and Translation, 223-240, 2021 | | 2021 |
| Ecopoetics, Intermediality, and the Language of Caroline Bergvall M Schauss Alluvium 9 (5), 2021 | | 2021 |
| “‘Such density of furniture defeats imagination’: Beckett’s Post-War Room and the Inheritance of Things” M Schauss Modernist Objects, 45-62, 2021 | | 2021 |
| Julie Bates, Beckett's Art of Salvage: Writing and Material Imagination, 1932–1987 M Schauss Journal of Beckett Studies 28 (2), 240-245, 2019 | | 2019 |
| Kevin Brazil. Art, History, and Postwar Fiction M Schauss The Review of English Studies 70 (296), 793-796, 2019 | | 2019 |
| Like a Thing Forsaken: Beckett, Sebald, and the Politics of Materiality M Schauss University of Warwick, 2019 | | 2019 |
| CHAPTER TWO “THE FOLLOWING PRECIOUS AND ILLUMINATING MATERIAL SHOULD BE CAREFULLY STUDIED”: MATERIAL INCORPORATION IN BECKETT M SCHAUSS Samuel Beckett and Europe: History, Culture, Tradition, 15, 2018 | | 2018 |
| ‘The following precious and illuminating material should be carefully studied’: The Logic of Incorporation in Beckett, Sebald, and Krasznahorkai M Schauss Beckett and Europe: History, Culture, Tradition, 15-40, 2017 | | 2017 |
| The Censor’s “filthy synecdoche”:: Samuel Beckett and Censorship M Schauss Sanglap: Journal of Literary and Cultural Inquiry 2 (2), 193-216, 2016 | | 2016 |
| Towards the Feynman Point: A Beginning in 30. A creative exercise in Oulipan constraint and critical review. M Schauss ecloga: Journal of Literature and the Arts 9, 2011 | | 2011 |
