| Hannah and Her Entitled Sisters: (Post)feminism, (post)recession, and Girls LJ DeCarvalho Feminist Media Studies 13 (2), 367-370, 2013 | 38 | 2013 |
| Extended “Visiting Hours” Deconstructing Identity in Netflix’s Promotional Campaigns for Orange Is the New Black LJ DeCarvalho, NB Cox Television & New Media 17 (6), 504-519, 2016 | 35 | 2016 |
| “I am not a cow”: Challenging narratives of empowerment in teen girls sports fiction E Whiteside, M Hardin, LJ DeCarvalho, NM Carillo, AN Smith Sociology of Sport Journal 30 (4), 415-434, 2013 | 27 | 2013 |
| Sexualized branded entertainment and the male consumer gaze MP McAllister, LJ DeCarvalho tripleC: Communication, Capitalism & Critique. Open Access Journal for a …, 2014 | 13 | 2014 |
| 'Ride Free or Die'Trying: Hypermasculinity on FX's Sons of Anarchy. NB Cox, LJ DeCarvalho Journal of Popular Culture 49 (4), 2016 | 12 | 2016 |
| Queerness (Un) Shackled: Theorizing Orange is the New Black LJ Decarvalho, NB Cox Feminist theory and pop culture, 65-76, 2015 | 12 | 2015 |
| Media depictions of brides, wives, and mothers AE Burnette, MF Casper, HC Chang, D Charlesworth, SL Cunningham, ... Lexington Books, 2012 | 11 | 2012 |
| Serving (Fetishized) Time: An Intersectional Analysis of Netflix's Food Trucks in Mexico and the United States. LJ DeCarvalho, NI Martínez‐Carrillo Journal of Popular Culture 51 (2), 2018 | 8 | 2018 |
| Visible Only Behind Bars: How Indigenous Australian Women Reframe and Reclaim their Experiences on Wentworth LJ DeCarvalho Women's Studies in Communication 44 (1), 65-80, 2021 | 7 | 2021 |
| Neo-Orthodox Masculinities on Man Caves M Rodino-Colocino, LJ DeCarvalho, A Heresco Television & New Media 19 (7), 626-645, 2018 | 6 | 2018 |
| The work of prime-time post-recessionary sexism: Gender and television sitcoms in the post-recession era of the 2010s LJ DeCarvalho The Pennsylvania State University, 2013 | 3 | 2013 |
| “‘I’m not weird. I’m just like everybody else’: intersections of embodiment, incarceration, and mental illness on Wentworth and Orange Is the New Black” LJ DeCarvalho Feminist Media Studies 23 (4), 1676-1688, 2023 | 2 | 2023 |
| Head above Water: Applying Nussbaums capabilities approach to Deepa Mehtas 2005 film LJ DeCarvalho Media depictions of brides, wives, and mothers, 103-112, 2012 | 2 | 2012 |
| Crims and crooks: automatization, communicative capitalism, fandom, and promotion for Wentworth LJ DeCarvalho, NI Martínez-Carrillo Critical Studies in Media Communication 38 (3), 211-224, 2021 | 1 | 2021 |
| The Sexism of Sons": A Feminist Critique of FX's Sons of Anarchy NB Cox, LJ DeCarvalho Journal of Communications Media Studies 8 (1), 9-24, 2016 | 1 | 2016 |
| A View from the Top (Dog): Intersections of Incarceration, Motherhood, and Trauma on Foxtel’s Wentworth LJ DeCarvalho, N Martínez-Carrillo Television & New Media 25 (1), 3-18, 2024 | | 2024 |
| Hoping for a Hail Mary: A Critical Feminist Analysis of the NFL's Post-Rice Tactics N Cox, L DeCarvalho Journal of Sports Media 16 (1), 21-47, 2021 | | 2021 |
| A Review of: “Bainbridge, Caroline. A Feminine Cinematics: Luce Irigaray, Women, and Film.” Basingstoke, England and New York, NY: Palgrave Macmillan, 2008 … LJ DeCarvalho Women's Studies in Communication 34 (1), 104-105, 2011 | | 2011 |
| Horror Global, Horror Local: A Cross-Cultural Analysis of Torture Porn, J-Horror, and Giallo as Contemporary Manifestations of the Horror Genre LJ DeCarvalho | | 2009 |
