Presence and pleasure: The funk grooves of James Brown and Parliament A Danielsen Wesleyan University Press, 2006 | 436 | 2006 |
Musical rhythm in the age of digital reproduction A Danielsen Ashgate/Routledge, 2010 | 176 | 2010 |
Digital signatures: The impact of digitization on popular music sound R Brøvig, A Danielsen Mit Press, 2016 | 167 | 2016 |
Here, There, and Everywhere. Three Accounts of Pulse in D'Angelo's 'Left and Right' A Danielsen Musical Rhythm in the Age of Digital Reproduction, 19-35, 2010 | 104* | 2010 |
Where is the beat in that note? Effects of attack, duration, and frequency on the perceived timing of musical and quasi-musical sounds. A Danielsen, K Nymoen, E Anderson, GS Câmara, MT Langerød, ... Journal of Experimental Psychology: Human Perception and Performance 45 (3), 402, 2019 | 73 | 2019 |
Forum on transcription J Stanyek Twentieth-Century Music 11 (1), 101-161, 2014 | 57 | 2014 |
Groove G Schmidt Câmara, A Danielsen The Oxford Handbook of Critical Concepts in Music Theory, 271-294, 2018 | 54* | 2018 |
The mediated festival: Live music as trigger of streaming and social media engagement A Danielsen, Y Kjus Convergence 25 (4), 714-734, 2019 | 52 | 2019 |
His name was Prince: a study of 'Diamonds and Pearls' A Danielsen Popular Music 16 (3), 275-291, 1997 | 49 | 1997 |
Live islands in the seas of recordings: The music experience of visitors at the Øya Festival Y Kjus, A Danielsen Popular Music and Society 37 (5), 660-679, 2014 | 48 | 2014 |
Introduction: Rhythm in the age of digital reproduction A Danielsen Musical rhythm in the age of digital reproduction, 1-16, 2016 | 47 | 2016 |
The sound of crossover: Micro-rhythm and sonic pleasure in Michael Jackson's “Don't stop'til you get enough” A Danielsen Popular Music and Society 35 (2), 151-168, 2012 | 46 | 2012 |
Pulse as Dynamic Attending. Analysing Beat Bin Metre in Neo Soul Grooves A Danielsen The Routledge companion to popular music analysis: Expanding approaches, 179-189, 2018 | 40 | 2018 |
The Naturalised and the Surreal: changes in the perception of popular music sound R Brøvig-Hanssen, A Danielsen Organised Sound 18 (1), 71-80, 2013 | 40 | 2013 |
Mediating Music: materiality and silence in Madonna's ‘Don't Tell Me’ A Danielsen, A Maasø Popular Music 28 (2), 127-142, 2009 | 38 | 2009 |
The musicalization of 'reality': Reality rap and rap reality on Public Enemy's Fear of a Black Planet A Danielsen European Journal of Cultural Studies 11 (4), 405-421, 2008 | 34 | 2008 |
Effects of instructed timing and tempo on snare drum sound in drum kit performance A Danielsen, CH Waadeland, HG Sundt, MAG Witek The Journal of the Acoustical Society of America 138 (4), 2301-2316, 2015 | 32 | 2015 |
Aesthetic value, cultural significance, and canon formation in popular music A Danielsen Studia Musicologica 33, 55-72, 2006 | 32 | 2006 |
Microtiming and mental effort: Onset asynchronies in musical rhythm modulate pupil size JF Skaansar, B Laeng, A Danielsen Music Perception: An Interdisciplinary Journal 37 (2), 111-133, 2019 | 31 | 2019 |
Live mediation: Performing concerts using studio technology Y Kjus, A Danielsen Popular Music 35 (3), 320-337, 2016 | 28 | 2016 |