| Cross-cultural work in music cognition: Challenges, insights, and recommendations N Jacoby, EH Margulis, M Clayton, E Hannon, H Honing, J Iversen, ... Music Perception 37 (3), 185-195, 2020 | 129 | 2020 |
| Coarticulation and gesture: An analysis of melodic movement in South Indian raga performance L Pearson Music Analysis 35 (3), 280-313, 2016 | 33 | 2016 |
| Gesture and the sonic event in Karnatak music L Pearson Empirical Musicology Review, 2-14, 2013 | 29 | 2013 |
| Gesture–vocal coupling in Karnatak music performance: A neuro–bodily distributed aesthetic entanglement L Pearson, W Pouw Annals of the New York Academy of Sciences, 2022 | 26* | 2022 |
| Gesture in Karnatak music: Pedagogy and musical structure in South India L PEARSON Durham University, 2016 | 18 | 2016 |
| “Improvisation” in Play: A View Through South Indian Music Practices L Pearson The Routledge Handbook of Philosophy and Improvisation in the Arts, 446-461, 2021 | 10 | 2021 |
| The aesthetics of imperfection in music and the arts: Spontaneity, flaws and the unfinished A Hamilton, L Pearson Bloomsbury Publishing, 2020 | 7 | 2020 |
| Repertoire-Specific Vocal Pitch Data Generation for Improved Melodic Analysis of Carnatic Music G Plaja-Roglans, T Nuttall, L Pearson, X Serra, M Miron Transactions of the International Society for Music Information Retrieval 6 …, 2023 | 6 | 2023 |
| Inscription, gesture, and social relations: Notation in Karnatak music L Pearson Material Cultures of Music Notation, 139-152, 2022 | 6 | 2022 |
| The Matrix profile for motif discovery in audio-an example application in Carnatic music T Nuttall, G Plaja-Roglans, L Pearson, X Serra International Symposium on Computer Music Multidisciplinary Research, 228-237, 2021 | 6 | 2021 |
| In search of Sañcāras: tradition-informed repeated melodic pattern recognition in carnatic music T Nuttall, G Plaja-Roglans, L Pearson, X Serra Rao P, Murthy H, Srinivasamurthy A, Bittner R, Caro Repetto R, Goto M, Serra …, 2022 | 5 | 2022 |
| A Socially Situated Approach to Aesthetics: Games and Challenges in Karnatak Music L Pearson The Aesthetics of Imperfection in Music and the Arts: Spontaneity, Flaws and …, 2020 | 5 | 2020 |
| Cultural heritage, sustainability and innovation in South Indian art music L Pearson Music as Heritage, 238-257, 2018 | 5 | 2018 |
| Music as a trait in evolutionary theory: A musicological perspective M Wald-Fuhrmann, L Pearson, T Roeske, C Grüny, R Polak Behavioral and Brain Sciences 44, 2021 | 2 | 2021 |
| Landscapes of coarticulation: The co-structuring of gesture-vocal dynamics in Karnatak vocal performance L Pearson, T Nuttall, W Pouw OSF, 2024 | 1 | 2024 |
| Motif-gesture clustering in Karnatak vocal performance: A multimodal computational music analysis L Pearson, T Nuttall, W Pouw College of Art, Nihon University, 2023 | 1 | 2023 |
| Annotating Karnataka music: Encounters between a musical tradition and computational tools L Pearson, B Manickavasakan Second Symposium of the ICTM Study Group on Sound, Movement, and the …, 2023 | 1 | 2023 |
| A Social Aesthetics and Ethics of Imperfection: Insights from Karnatak Music, Jazz and Free Improvisation L Pearson Imperfectionist Aesthetics in Art and Everyday Life, 87-100, 2022 | 1 | 2022 |
| Svara-forms and coarticulation in Carnatic music: an investigation using deep clustering T Nuttall, X Serra, L Pearson Proceedings of the 11th International Conference on Digital Libraries for …, 2024 | | 2024 |
| Towards a movement science of communication Š Kadavá, L Pearson, J Trujillo, W Pouw Proceedings of the Annual Meeting of the Cognitive Science Society 46, 2024 | | 2024 |
Rainer PolakRITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion在 mail.de 的电子邮件经过验证
