| Rock Star-movie Star: Power and Performance in Cinematic Rock Stardom L Palmer Oxford University Press, 2020 | 15 | 2020 |
| ‘And Introducing Elvis Presley’ Industrial Convergence and Transmedia Stardom in the Rock ‘n’Roll Movie L Palmer Music, Sound, and the Moving Image 9 (2), 177-190, 2015 | 10 | 2015 |
| Re-collecting David Bowie: The Next Day and late-career stardom L Palmer Celebrity Studies 4 (3), 384-386, 2013 | 9 | 2013 |
| The Portable Recording Studio: Documentary Filmmaking and Live Album Recording, 1967-1969 L Palmer International Association for the Study of Popular Music (IASPM), 2016 | 6 | 2016 |
| From Culture to Torture: Music and Violence in Funny Games and The Piano Teacher L Palmer The Cinema of Michael Haneke: Europe Utopia, 179-191, 2011 | 6 | 2011 |
| Between the Movie and the Money: Packaging the 1970s Motion Picture Tax Shelter L Palmer Media Industries 9 (2), 2022 | 3 | 2022 |
| Everybody Wants to Be a Cat: Jazz Culture and Disney Animation in the 1960s L Palmer Musicals at the Margins: Genre, Boundaries, Canons, 172-186, 2021 | 3 | 2021 |
| Gender, Regional Identity, and the Civil War: Politics of the North and South in Sweet Home Alabama and Junebug L Palmer Southerners on Film: Essays on Hollywood Portrayals Since the 1970s, 89, 2011 | 3 | 2011 |
| Do the Loud Thing: The Boombox and Urban Space in 1980s American Cinema L Palmer Journal of Cinema and Media Studies 61 (5), 59-85, 2022 | 2 | 2022 |
| The Encyclopedia of Film Composers by Thomas S. Hischak L Palmer Music, Sound, and the Moving Image 11 (1), 119-123, 2017 | 2 | 2017 |
| Pop ubiquity: Cameo Performance as Star Management L Palmer Celebrity Studies, 382-405, 2024 | 1 | 2024 |
| From Freedom Dreams to Boomer Nostalgia: Licensing the Cinematic Meanings of Motown L Palmer Journal of Popular Music Studies 34 (4), 85-108, 2022 | 1 | 2022 |
| Moving-image mixtape: on Pixelvision film and video art L Palmer Screen 65 (3), 327-351, 2024 | | 2024 |
| Styles of Movie Stardom after Movie Stardom L Palmer The Velvet Light Trap 93 (1), 57-60, 2024 | | 2024 |
| Engineering the ‘Sense of Being There’: Electronovision and the Invention of the Stage Performance Documentary L Palmer Historical Journal of Film, Radio and Television 43 (4), 1157-1182, 2023 | | 2023 |
| @ Concert: Liveness in the Time of Coronavirus L Palmer [in] Transition 10 (1), 2023 | | 2023 |
| Beyond Black Woodstock: Summer of Soul as Historical Recovery L Palmer Summer of Soul (... Or, When the Revolution Could Not Be Televised): A …, 2023 | | 2023 |
| "I'm an American, Just Like You": "The Room" and American Cinema, Identity, and Masculinity You are Tearing Me Apart, Lisa!: The Year's Work on "The Room," the Worst …, 2022 | | 2022 |
| Beyond Black Woodstock Docalogue, 2021 | | 2021 |
| MTV Video Stardom as Media Power: Madonna’s (Moving) Image Control L Palmer Film Criticism 45 (1), 2021 | | 2021 |
