Maptap and cornelia slow digital art history and formal art historical social network research K Brosens, K Alen, A Slegten, F Truyen Zeitschrift für Kunstgeschichte 79 (3), 315-330, 2016 | 26 | 2016 |
European tapestries in the Art Institute of Chicago K Brosens, PF Bertrand Art institute of Chicago;, 2008 | 26 | 2008 |
A contextual study of Brussels tapestry 1670-1770: the dye works and tapestry workshop of Urbanus Leyniers (1674-1747) K Brosens Paleis der Academiën, 2004 | 20 | 2004 |
Introducing layers of meaning (LoM): A framework to reduce semantic distance of visualization in humanistic research H Lamqaddam, AV Moere, VV Abeele, K Brosens, K Verbert IEEE Transactions on Visualization and Computer Graphics 27 (2), 1084-1094, 2020 | 14 | 2020 |
The organisation of seventeenth-century tapestry production in Brussels and Paris: a comparative view K Brosens De Zeventiende Eeuw 20 (2), 264-284, 2004 | 14 | 2004 |
Brussels Tapestry Producer Judocus de Vos (1661/62-1734)—New Data and Design Attributions K Brosens Studies in the Decorative Arts 9 (2), 58-86, 2002 | 14 | 2002 |
When the tech kids are running too fast: Data visualisation through the lens of art history research H Lamqaddam, K Brosens, F Truyen, J Beerens, I De Prekel, K Verbert 3rd Workshop on Visualization for the Digital Humanities at IEEEVIS, 2018 | 12 | 2018 |
Slow Digital Art History in Action: Project Cornelia’s Computational Approach to Seventeenth-century Flemish Creative Communities K Brosens, J Aerts, K Alen, RJ Beerens, B Cardoso, I De Prekel, ... Visual Resources 35 (1-2), 105-124, 2019 | 11 | 2019 |
A contextual study of Brussels Tapestry, 1670-1770 K Brosens The dye works and Tapestry workshop of Urbanus Leyniers (1674-1747 …, 2004 | 11 | 2004 |
Les aventures de Don Quichotte, tapisseries bruxelloises de l'atelier Leyniers-Reydams K Brosens, G Delmarcel Revue Belge d'Archéologie et d'Histoire de l'Art 67, 55-92, 1998 | 10 | 1998 |
Spanish family pride in Flemish wool and silk: The Moncada family and its Baroque tapestry collection G Delmarcel, M García Calvo, K Brosens Tapestry in the Baroque. New Aspects of Production and Patronage, 284-315, 2010 | 9 | 2010 |
Charles Le Brun's Meleager and Atalanta and Brussels Tapestry c. 1675 K Brosens Studies in the Decorative Arts 11 (1), 5-37, 2003 | 9 | 2003 |
Family ties: Art production and kinship patterns in the early modern Low Countries K Brosens, L Kelchtermans, K Stighelen (No Title), 2012 | 8 | 2012 |
Communicating uncertainty in digital humanities visualization research G Panagiotidou, H Lamqaddam, J Poblome, K Brosens, K Verbert, ... IEEE Transactions on Visualization and Computer Graphics 29 (1), 635-645, 2022 | 7 | 2022 |
Nahr: A visual representation of social networks as support for art history research H Lamqaddam, J Aerts, K Brosens, K Verbert Proceedings of the 10th Nordic Conference on Human-Computer Interaction, 634-641, 2018 | 7 | 2018 |
Subjects from history E McGrath, K Brosens Harvey Miller Publishers, 1997 | 7 | 1997 |
Claiming Commerce, Quality and Credit: Raisons d’être of the Antwerp and Brussels tapissierspanden (Sixteenth–Eighteenth Centuries) K Brosens, K Alen, A Slegten Textile History 49 (1), 5-21, 2018 | 6 | 2018 |
Tapestry: Luxurious art, collaborative industry K Brosens A Companion to Renaissance and Baroque art, 295-315, 2013 | 6 | 2013 |
Rubens: Subjects from History: the Constantine Series K Brosens Harvey Miller, 2011 | 6 | 2011 |
New Light on the Raes Workshop in Brussels and Rubens’s Achilles Series’ K Brosens Tapestry in the Baroque: New Aspects of Production and Patronage, 24, 2010 | 6 | 2010 |