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Kim Goodwin
Kim Goodwin
在 unimelb.edu.au 的电子邮件经过验证 - 首页
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引用次数
引用次数
年份
Developing self-efficacy and career optimism through participation in communities of practice within Australian creative industries
K Goodwin
Australian Journal of Career Development 28 (2), 122-131, 2019
332019
Leadership reluctance in the Australian arts and cultural sector
K Goodwin
The Journal of Arts Management, Law, and Society 50 (3), 169-183, 2020
162020
Employment Practices and Institutional Inertia in the Arts Sector: The Roles and Skills of Arts Managers in Building Organizational Capacity and Creating Public Value.
A Kershaw, H Glow, K Goodwin
International Journal of Arts Management 24 (3), 2022
52022
Pay, safety and welfare: how the new Centre for Arts and Entertainment Workplaces can strengthen the arts sector
K Goodwin, C Vincent
The Conversation, 2023
12023
Junior staff are finding better contracts, senior staff are burning out: the arts are losing the war for talent
K Goodwin
The Conversation, 2022
12022
Stakeholder Engagement in the Arts: Practitioner Understanding of a Mutable Concept
K Goodwin, A Pekarek
17th International Conference on Arts and Cultural Management AIMAC, 2024
2024
Arts employability and extracurricular communities of practice: A case study of the University of Melbourne’s creative community connections
K Goodwin, C Vincent
Arts and Humanities in Higher Education, 14740222241260951, 2024
2024
Former dancers have initiated legal action against Lizzo, reminding us arts workers deserve the same workplace protections as any other industry
K Goodwin
The Conversation, 2023
2023
Shared Leadership and the Evolution of Festivals: What Can Be Learned?
J Caust, K Goodwin
2022
Tony Burke’s double ministry of arts and industrial relations could be just what the arts sector needs
K Goodwin, C Vincent
The Conversation, 2022
2022
Leadership in a Cultural Context
K Goodwin
18th International Studying Leadership Conference, 67, 2019
2019
Cultural leadership in practice: leadership identity construction in the Australian arts and cultural sector
K Goodwin
2017
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