| Acoustic Interculturalism M Tan Listening to Performance (Studies in International Performance). Houndmills …, 2012 | 55 | 2012 |
| Vision and virtuality: The construction of narrative space in film and computer games WL Tong, MCC Tan ScreenPlay: cinema/videogames/interfaces, 98-109, 2002 | 47 | 2002 |
| K-Contagion: Sound, Space and Speed in Psy's 'Gangnam Style' MCC Tan The Drama Review 59 (1), 83-96, 2015 | 14* | 2015 |
| “In the shoes of another”: immersive technology for social and emotional learning MCC Tan, SYL Chye, KSM Teng Education and Information Technologies 27 (6), 8165-8188, 2022 | 13 | 2022 |
| " Here I am... Yet Cannot Hold this Visible Shape": the Music of Gender in Shakespeare's Twelfth Night MCC Tan Comitatus: A Journal of Medieval and Renaissance Studies 32 (1), 99-125, 2001 | 6 | 2001 |
| “Thou art a strange fellow”: Dissonance and Discordance in Intercultural Shakespeares MCC Tan Shakespeare’s World / World Shakespeares: The Selected Proceedings of the …, 2006 | 4 | 2006 |
| Sounding Corporeality A McGrath, MCC Tan, P Purkayastha, T Havelková Theatre Research International 46 (2), 108-114, 2021 | 3 | 2021 |
| Politics, Performance, the Contemporary and Southeast Asia MCC Tan, C Rajendran Performing Southeast Asia, 1-34, 2020 | 3 | 2020 |
| 'Pornography Disguised as Art': Bare/d Bodies, Biopolitics, and Multicultural Tolerance in Singapore MCC Tan Performing Southeast Asia: Performance, Politics and the Contemporary, 61-84, 2020 | 3 | 2020 |
| Spectres of Shakespeare: Ong Keng Sen’s Search: Hamlet and the Intercultural Myth MCC Tan Cahiers Elisabéthains: A Journal of English Renaissance Studies 88 (1), 1-12, 2016 | 3 | 2016 |
| Performative Silence: Race, Riot and the End of Multiculturalism MCC Tan Journal of Interdisciplinary Voice Studies 1 (1), 9-22, 2016 | 3 | 2016 |
| ‘Every Situation has its Rhythm’: Acoustic Mimesis and Sonic Exoticism in Tambours Sur La Digue MCC Tan Contemporary Theatre Review 21 (2), 189-200, 2011 | 3 | 2011 |
| The Curios Carnival: Margaret Leng Tan’s Theatrimusicality MCC Tan TDR 66 (3), 52-63, 2022 | 2 | 2022 |
| (Re) sounding universals: The politics of listening to Peter Brook's Battlefield MCC Tan Methuen Drama Handbook of Interculturalism and Performance, 13-27, 2020 | 2 | 2020 |
| Embodying Senescence: Performing agedness in the space of virtuality MCC Tan Performance Research 24 (3), 66-73, 2019 | 2 | 2019 |
| Harmonic Reveries: The Intercultural Signifiance of Lear Dreaming MCC Tan Recherches Semiotiques / Semiotic Inquiry 35 (2-3), 145-162, 2015 | 2 | 2015 |
| Between Sound and Sight: Framing the Exotic in Roysten Abel's The Manganiyar Seduction MCC Tan Theatre Research International 38 (1), 47-61, 2013 | 2 | 2013 |
| Teaching social-emotional learning with immersive virtual technology: Exploratory considerations MCC Tan, SYL Chye, SM Teng Pedagogy and Psychology in Digital Education, 169-195, 2023 | 1 | 2023 |
| Soundscape Singapore: Sound as mediated cultural heritage MCC Tan International Conference on Human-Computer Interaction, 119-132, 2021 | 1 | 2021 |
| Disruptive Vocalities: Auditory Immersion in Punchdrunk's" The Drowned Man: A Hollywood Fable" and First-Person Digital Games MCC Tan Journal of Sound, Silence, Image and Technology, 94-110, 2020 | 1 | 2020 |
