| Understanding gesture expressivity through muscle sensing B Caramiaux, M Donnarumma, A Tanaka ACM Transactions on Computer-Human Interaction (TOCHI) 21 (6), 1-26, 2015 | 83 | 2015 |
| Muscular Interactions Combining EMG and MMG sensing for musical practice M Donnarumma, B Caramiaux, A Tanaka KAIST, 2013 | 42 | 2013 |
| Artificial intelligence in music and performance: a subjective art-research inquiry B Caramiaux, M Donnarumma Handbook of Artificial Intelligence for Music: Foundations, Advanced …, 2021 | 41 | 2021 |
| XTH SENSE: a study of muscle sounds for an experimental paradigm of musical performance. M Donnarumma ICMC, 2011 | 40 | 2011 |
| The body as musical instrument A Tanaka, M Donnarumma The Oxford handbook of music and the body, 79-96, 2019 | 37 | 2019 |
| Beyond the cyborg: performance, attunement and autonomous computation M Donnarumma International Journal of Performance Arts and Digital Media 13 (2), 105-119, 2017 | 28 | 2017 |
| Configuring Corporeality: Performing bodies, vibrations and new musical instruments. M Donnarumma Goldsmiths, University of London, 2016 | 27 | 2016 |
| Music for Flesh II: informing interactive music performance with the viscerality of the body system M Donnarumma Conference on New Interface for Musical Expression (NIME-12), 2012 | 22 | 2012 |
| On biophysical music M Donnarumma Guide to Unconventional Computing for Music, 63-83, 2017 | 14 | 2017 |
| Incarnated sound in music for flesh II: Defining gesture in biologically informed musical performance M Donnarumma Leonardo Electronic Almanac 18 (3), 2012 | 14 | 2012 |
| Body and space: Combining modalities for musical expression M Donnarumma, B Caramiaux, A Tanaka UPF, MTG, 2013 | 11 | 2013 |
| Xth Sense: researching muscle sounds for an experimental paradigm of musical performance M Donnarumma, ACE Sound Design, A House Proceedings of the Linux Audio Conference, 2011 | 11 | 2011 |
| Across Bodily and Disciplinary Borders: Hybridity as methodology, expression, dynamic M Donnarumma Performance Research 25 (4), 36-44, 2020 | 8 | 2020 |
| Ominous: Playfulness and emergence in a performance for biophysical music M Donnarumma Body, Space & Technology 14 (1), 2015 | 7 | 2015 |
| Hypo chrysos: Mapping in interactive action art using bioacoustic sensing M Donnarumma Proceedings of the 7th International Conference on Tangible, Embedded and …, 2013 | 7 | 2013 |
| Against the norm: othering and otherness in AI aesthetics M Donnarumma Digital Culture & Society 8 (2), 39-66, 2022 | 6 | 2022 |
| Biotechnological Performance Practice M Donnarumma Special issue, eContact 14 (2), 2012 | 6 | 2012 |
| The Oxford Handbook of Music and the Body A Tanaka, M Donnarumma, Y Kim, SL Gilman Oxford University Press, 2018 | 5 | 2018 |
| Fractal Flesh-Alternate Anatomical Architectures. Interview with Stelarc M Donnarumma Recuperado el 16, 2012 | 5 | 2012 |
| Nigredo: configuring human and technological bodies M Donnarumma Experiencing the Unconventional: Science in Art, 61-85, 2015 | 4 | 2015 |
Atau TanakaGoldsmiths, University of London在 goldsmithsdigital.com 的电子邮件经过验证
