| Obscurity and Affect in Anne Bannerman’s ‘The Dark Ladie.’ A Miller Nineteenth-Century Gender Studies 3, 14, 2007 | 10 | 2007 |
| " Striking Passages": Memory and the Romantic Imprint A Miller STUDIES IN ROMANTICISM 50 (1), 29-53, 2011 | 9 | 2011 |
| Poetry, Media, and the Material Body: Autopoetics in Nineteenth-Century Britain A Miller Cambridge University Press, 2018 | 5 | 2018 |
| Ripeness and Waste: Christina Rossetti’s Botanical Women A Miller Victorian Studies 61 (2), 194-203, 2019 | 4 | 2019 |
| CHRISTINA ROSSETTI'S RADICAL OBJECTIVITY A Miller Victorian Literature and Culture 46 (1), 143-156, 2018 | 3 | 2018 |
| Speech Paralysis: Ingestion, Suffocation, and the Torture of Listening A Miller Nineteenth-Century Contexts 36 (5), 473-487, 2014 | 3* | 2014 |
| Involuntary Metrics and the Physiology of Memory A Miller Literature Compass 6 (2), 549-556, 2009 | 1 | 2009 |
| Stratified heavens: growing up in the Victorian afterlife A Miller Nineteenth-Century Contexts 44 (5), 489-498, 2022 | | 2022 |
| Susan Owens and Nicholas Tromans, eds. Christina Rossetti: Poetry in Art. New Haven: Yale University Press, 2018. Pp. 192. $40.00 (cloth). A Miller Journal of British Studies 58 (3), 665-666, 2019 | | 2019 |
| America's Darwin: Darwinian Theory and US Literary Culture A Miller South Atlantic Review 81 (1), 216-218, 2016 | | 2016 |
