| Empowered or Objectified? Personal Narrative and Audiovisual Aesthetics in Beyoncé’s Partition KA Hansen Popular Music and Society 40 (2), 164-180, 2017 | 42 | 2017 |
| (Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities KA Hansen Twentieth-Century Music 16 (3), 501-529, 2019 | 28 | 2019 |
| Pop Masculinities: The Politics of Gender in Twenty-First Century Popular Music KA Hansen Oxford University Press, 2022 | 21 | 2022 |
| Fashioning a Post Boy Band Masculinity: On the Seductive Dreamscape of Zayn’s Pillowtalk KA Hansen Popular music and society 41 (2), 194-212, 2018 | 16 | 2018 |
| Azealia Banks:‘Chasing Time’, erotics, and body politics KA Hansen, S Hawkins Popular Music 37 (2), 157-174, 2018 | 15 | 2018 |
| Holding on for Dear Life: Gender, celebrity status, and vulnerability-on-display in Sia’s ‘Chandelier’ KA Hansen The Routledge Research Companion to Popular Music and Gender, 89-101, 2017 | 15 | 2017 |
| Popular Musicology and Identity: Essays in Honour of Stan Hawkins KA Hansen, E Askerøi, F Jarman Routledge, 2020 | 9 | 2020 |
| Fashioning Pop Personae: Gender, Personal Narrativity, and Converging Media in 21st Century Pop Music KA Hansen University of Oslo, 2017 | 6* | 2017 |
| Staging a ‘real’ masculinity in a ‘fake’ world: creativity, (in)authenticity, and the gendering of musical labour KA Hansen Cultural Studies 36 (5), 713-731, 2022 | 5 | 2022 |
| The Earth is Sick: Environmentalism and the Politics of Age and Gender in Children's Musical Culture KA Hansen IASPM Journal 10 (2), 3-19, 2020 | 5 | 2020 |
| The ambiguity of ‘new’ masculinities: Zayn Malik and disordered eating KA Hansen Celebrity Studies 13 (3), 470-474, 2022 | 4 | 2022 |
| Saturation Season: Inclusivity, Queerness, and Aesthetics in the New Media Practices of Brockhampton KA Hansen, S Gamble Popular Music and Society 45 (1), 13-30, 2022 | 4 | 2022 |
| Sangfoni: Magisk realisme, leken læring og identitetsutforsking i barns audiovisuelle musikkultur KA Hansen Studia Musicologica Norvegica 44 (1), 102-117, 2018 | 4 | 2018 |
| On Popular Music and Its Unruly Entanglements N Braae, KA Hansen Palgrave Macmillan, 2019 | 3 | 2019 |
| Hardly that kind of girl? On female representations in mainstream pop music videos KA Hansen University of Oslo, 2011 | 3 | 2011 |
| It’s a Dark Philosophy: The Weeknd’s Intermedial Aestheticization of Violence KA Hansen On Popular Music and Its Unruly Entanglements, 235-255, 2019 | 2 | 2019 |
| Introduction: a musicology of popular music and identity KA Hansen, E Askerøi, F Jarman Popular Musicology and Identity, 1-15, 2020 | 1 | 2020 |
| Rethinking Difference in Gender, Sexuality, and Popular Music: Theory and Politics of Ambiguity. Edited by Gavin Lee. New York: Routledge, 2018. 197 pp. ISBN 978-1-138-96005-3 KA Hansen Popular Music 38 (1), 174-176, 2019 | 1 | 2019 |
| Personal Storyworlds: Retrospection, Reinvention, and Transmediality in Pop Music KA Hansen Persona Studies 10 (1), 7-21, 2024 | | 2024 |
| Mapping the music of migration: Emergent themes and challenges A Gardner, KA Hansen European Journal of Cultural Studies 27 (1), 3-16, 2024 | | 2024 |
Eirik AskerøiAssociate Professor, Inland Norway University of Applied Sciences在 inn.no 的电子邮件经过验证
