SCIENCE AND PHILOSOPHY THINK BY MEANS OF CONCEPTS. Art, music, and painting
think by means of percepts. That is what we are told: logos and tekhnd, in the original Greek …

The only strictly literary application of the psychology of perception to the detailed
examination of poetry which I have seen is Richard Harter Fogle's study of Keats and …

In" search of instances where the American imagination demands the real thing, and, to
attain it, must fabricate the absolute fake," Umberto Eco set forth on his" Travels in …

It is a curious feature of recent philosophy of literature that the so-called learning from
literature debate has been carried out almost exclusively in terms of the problem of fiction …

For the spoken version of this paper I read a number of poems, interspersing them with
some of the comments made in the prose part of the paper. In this printed version of the …

How and what do we see and know when we look at a painting? Conversely, how do we
visualize the literary text? These questions are the focus of Claude Gandelman's virtuoso …

Turning Words into Colors: Robbe-Grillet's Visual Language Page 1 Drawing upon a variety
of theories about perception , this essay explores the philosophy and techniques which …

This paper explores the richness of Prégnances, Derrida's text on Colette Deblé's wash
drawings. Three movements will lead to the specificity of the Derridian approach to visual …

The present contribution seeks to open up a new approach to intermediality by addressing
its cognitive effects and functions. For this purpose it discusses current understandings of …

Literary criticism produces some sort of knowledge on a discourse that is already taken to
produce some sort of knowledge, to know, literature. Both discipline and object may be said …