Previous work has established associations between senses, such as associations between
pitch and spatial height or timbre (the specific sound of a certain instrument) and shape …

College students listened to four song clips. Following each clip, the students indicated
which color (s) corresponded to each of the four songs by distributing five points among …

Arnheim (1986) speculated that different aesthetic domains (eg, color and music) might be
related to each other through common emotional associations. We investigated this …

Synesthetes are famed for their ability to “hear” colors or “see” sound. However, the
widespread use of such colorful phrases as “white noise” and “the blues” suggests that …

When participants are asked to make associations from classical orchestral music to colors,
they choose colors that fit the emotional content of the music: eg," happy" colors go with" …

Previous studies have shown that the tempo and harmonic mode (major vs. minor) of
different pieces of classical music produce consistent cross-modal associations with …

(in English) Studies have investigated crossmodal correspondence between instrumental
sounds and colors. Here we investigated whether musical instrument experience modulates …

Chromesthesia is the involuntary combination of a visual color response to a musical
stimulus. Previous research has associated the presence of absolute pitch with color …

Recent studies have shown correlations between perceived colors and aspects of a musical
piece such as tonality, tempo and musical articulation. Other studies have demonstrated that …

When people make cross-modal matches from classical music to colors, they choose colors
whose emotional associations fit the emotional associations of the music, supporting the …