This paper examines the composition and transition of symbolic boundaries in the New York
art world of painting and sculpture from 1940 to 1969 through social network analysis of inter …

This study investigates the architecture of four Los Angeles art institutions as representative
of an underlying drive to publicly show modern and contemporary art. Tracing the history of …

This dissertation examines the East Village art scene as a series of multiple imagined
communities through its representation in three primary discourses: the popular press, the …

Formal organizational structures and patterns of production and distribution of culture typical
in most major cities emerged with, and are patterned after, Industrial Age thinking and …

This study of networks and resource mobilization in three localities shows how community
members access resources through social circuits to create markers of the racial, ethnic, and …

We try to make the link between historical questions related to the concepts of centrality and
periphery and certain uses of network analysis and visualization. In the field of global …

Social historians note the importance of social and economic elites for the establishment of
cultural institutions. Using cross-sectional data on museums in the largest US urban centers …

The Cultural Center: Architecture as Cultural Policy in Postwar Europe examines how
culture became an explicit domain of state policy in postwar Europe and why the modern …

Recent studies of the art markets and the art world show the importance of genres, status
and identity of organizations such that these can be conceptualized in organizational studies …

This study reframes transatlantic Aesthetic painting as a visual language of interconnection
and systematic organization, with an emphasis on its development and dissemination …