This article presents a sensorimotor account of music-colour synaesthesia, proposing a
radically different perspective than is commonly provided. Recent empirical and theoretical …

This review provides a commentary on coloured-hearing arising on hearing music: music-
colour synaesthesia. Although traditionally explained by the hyperconnectivity theory …

Music has the capacity to affect humans' affective, social and cognitive abilities in different
ways. For example, music may be used to regulate a person's mood after a stressful day …

Synaesthesia has been conceptualised as a joining of sensory experiences. Taking a
holistic, embodied perspective, we investigate in this paper the role of action and emotion …

We provide the outline of a semantics for music. We take music cognition to be continuous
with normal auditory cognition, and thus to deliver inferences about “virtual sources” of the …

The aim of this work is to lay the basis of a post-Cartesian cognitive science of music.
Traditional psychology of music often adopts a theoretical framework in line with the dualistic …

Synaesthesia and absolute pitch (AP) are two rare conditions that occur more frequently
within populations of artistic professionals. Current thinking surrounding synaesthesia and …

This chapter offers the beginning of an enactive account of auditory experience—particularly
the experience of listening sensitively to music. It investigates how sensorimotor regularities …

Proponents of the theory of sensory integration argue that the construction of the human
sensory system offers the basic capacity for abstraction, the fundamental building block of …

This paper explores the extent to which ideas developed in The Senses Considered as
Perceptual Systems and further refined in The Ecological Approach to Visual Perception (;) …