the classroom. Thus, we aim to engage in critical race media literacy through an analysis of
Hello Privilege. It's Me, Chelsea. We do so through a frame of white fragility (DiAngelo,
2011) and white emotionalities (Matias, 2016). In this article, we argue that it is vital to
disrupt and challenge notions of white supremacy and whiteness by highlighting examples
of white fragility and white emotionalities in the media to make visible what often operates as …