[PDF][PDF] Magical Realism and Lack of Authorial Reticence in Gunter Grasss The Tin Drum with Reference to Gabriel Garcia Marquezs One Hundred Years of Solitude
HR Kasikhan - Jordan Journal of Modern Languages and Literature …, 2013 - academia.edu
Jordan Journal of Modern Languages and Literature Vol, 2013•academia.edu
This article introduces some distinctive features of magical realism, namely authorial
reticence and concept of hesitation to prove that despite wide advertisement, Gunter Grass's
The Tin Drum cannot be categorized in this narrative mode. The methodology employed is
mainly based on close reading, comparison and contrast with Gabriel Garcia Marquez's One
Hundred Years of Solitude, and provides examples or excerpts from both novels.
Furthermore, this article introduces and names two newly-discovered components of …
reticence and concept of hesitation to prove that despite wide advertisement, Gunter Grass's
The Tin Drum cannot be categorized in this narrative mode. The methodology employed is
mainly based on close reading, comparison and contrast with Gabriel Garcia Marquez's One
Hundred Years of Solitude, and provides examples or excerpts from both novels.
Furthermore, this article introduces and names two newly-discovered components of …
Abstract
This article introduces some distinctive features of magical realism, namely authorial reticence and concept of hesitation to prove that despite wide advertisement, Gunter Grass's The Tin Drum cannot be categorized in this narrative mode.
The methodology employed is mainly based on close reading, comparison and contrast with Gabriel Garcia Marquez's One Hundred Years of Solitude, and provides examples or excerpts from both novels. Furthermore, this article introduces and names two newly-discovered components of magical realism, namely paucity and momentariness, perceived out of Franz Roh’s famous statement regarding the palpitating nature of magic hidden behind our represented world.
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