… , the enjoyment of popular music, and the understanding of identitypolitics. Despite the terminological hiccups, Settling the PopScore should prove a useful tool for the further study of …
… poptexts themselves. In particular, the insistent theme is the desire to walk that path between structural analyses of poptexts and identitypolitics. … contexts, account for aspects of identity …
N Dibben - twentieth-century music, 2004 - cambridge.org
… between pop music texts and identity), they differ in the extent to which they focus on the historical and the textual: whereas Stan Hawkins presents a predominantly textual analysis of …
… With Settling the PopScore, Hawkins aligns himself with this tradition. … the stereotypes of sexuality and gender roles in society using pop music as a vehicle of expression, and attempts …
… understanding how cultural texts and practices … identitypolitics) – is incompatible with thinking about middle-ground territories such as nation-states as sites of affiliation or identification.…
… The pop realm also represents a particularly rich area for studying gender. This is partly because gender identities are frequently made theatrical through poptexts, something that …
… Med boken Settling the PopScore. Poptexts and identitypolitics fra 2002 brukte populærmusikkforskeren Stan Hawkins begrepet «musical reading» om sin metodologiske omgang …
… Queer pop acts, as we will see, ascribe meanings to texts that are fluid, free-floating and … Throughout this book the recorded song constitutes the score, where the prescription of its …
… me with an understanding of identitypolitics through the love of popular music… text (and in our case, the ‘recorded’ text), which function as part of culture’s take on itself.Arguably, the pop …