To understand the workings of medicine, healing, placebo, belief, and rationality, medical anthropologists need to pay attention to the complex relations of various forms of revelation, contemplation, and rejoining revelation that attach to illness and healing. In this article two performances of a healing technique located in the agricultural plain of Chhattisgarh, central India, are compared: one representing scientific rationality; the other ‘blind’ superstition. In both performances the practitioner’s aim is to reveal: the local healer reveals witchcraft objects from the afflicted body; the local rationalist society reveals the healer’s technique as a fraudulent trick. Each performance shares ‘an aesthetics of revelation’—they rely on seeing or revealing to obtain their social effect. The interplay between forms of revelation, a reliance on aesthetics for the revelation, and the ways of seeing can indicate how distinctions are made (or not) between doctor and quack, expertise and gimmickry, and truth and falsehood.