[PDF][PDF] Spectators, who are they? A demographic analysis of theatre audiences in four European cities

H Van Maanen, M Sorli, HL Toome… - Amfiteater, Journal of …, 2015 - academia.edu
When speculating on how theatre functions in a society, the most obvious questions are how
many people make use of the theatre that is on offer and, subsequently, which parts of the …

How Theatre Buildings Condition the Realization of Values for Local Audiences

M Wilders - Themes in Theatre, 2009 - brill.com
Theatrical values being realized locally, urge us to take a look at the role of venues, as they
are a significant element in the local context. The Dutch situation with its unique distribution …

Research note: The other side of the stage, revealing compositional differences in Flemish amateur theatre audiences

S Van Regenmortel, T De Mette, L De Donder… - Leisure …, 2017 - Taylor & Francis
This research note aims to address the lack of research focused on the audiences of
amateur theatre and examines how audiences of artistic-(ie participating in festivals with …

'I was utterly mesmerised': Audience experiences of different theatre types and genres in four European cities

M Wilders, HL Toome, M Sorli, A Szabó, A Zijlstra - Amfiteater, 2015 - research.rug.nl
This article investigates the similarities and differences on how spectators experience
theatre performances grouped along large, transnationally present types as Spoken …

[PDF][PDF] The theatre audience as a factor of interplay then and now: A comparison of the echo audience and financial resources of the 54th, 55th and 56th split summer …

A Penjak - Review of Arts and Humanities, 2014 - researchgate.net
The aim of this study is to present an overview of the theatrical audience profile who
attended the 54th (2008), 55th (2009) and 56th (2010) Split Summer Festival (SSF) in …

Do you feel the same? Different dominants of theatrical experience

HL Toome - Nordic Theatre Studies, 2015 - tidsskrift.dk
The aim of this article is to present an exploratory study of reception research of theatrical
experiences of general audiences of spoken theatre performances in Tartu, Estonia. The …

Audiences for live theatre in Britain: The present situation and some implications

M Quine - Cultural Trends, 1999 - Taylor & Francis
Live theatre in Britain is performed by a host of companies in purpose‐built theatres as well
as ad hoc venues. Theatre performances take place all over the country, in rural settings as …

The Values of a Festival–the Swedish Theatre Biennale 2003

W Sauter - Theatre Research International, 2005 - cambridge.org
The Swedish Theatre Biennale is a peculiar festival in the sense that it lacks a public
audience. More than a thousand theatre professionals gather for four days to present and …

Roles and Experiences of Theatre Audiences

U Gröschel - International Yearbook for Research in Arts …, 2015 - books.google.com
This article contributes to debates in theatre by making the case for the importance of the
study of audiences' roles and experiences. They are vital for at least two reasons. First, the …

[PDF][PDF] Editors' introduction: Themed Section on theatre audiences

M Reason, K Sedgman - Participations, 2015 - academia.edu
In this themed section we are delighted to present thirteen new papers on theatre audience
research. In doing so we wonder if this might mark the point within theatre studies when we …