A Lamont, N Dibben - Music Perception, 2001 - online.ucpress.edu
This paper presents a theoretical and empirical investigation into the ways in which different listeners perceive similarity relationships in different kinds of music. We first extend the …
RE Radocy - Psychology of Music, 1982 - journals.sagepub.com
Background The traditional compositional techniques of retrograde, inversion, retrograde inversion, augmentation and diminution are well known to the student of music theory and …
Aims: The aims of the study are two-fold: First, existing measures need to be systematized according to their mathematical structure and their possible application to different …
A Lamont, N Dibben - … of the Interdisciplinary Workshop on Similarity …, 1997 - dai.ed.ac.uk
The dominant view in general psychology has been that prototypes play an important role in our judgements of similarity and difference, and that salience is a main determinant of …
NN Vempala, FA Russo - Journal of New Music Research, 2015 - Taylor & Francis
Music software applications often require similarity-finding measures. In this study, we describe an empirically derived measure for determining similarity between two melodies …
Between them, Peter Kivy and Stephen Davies have developed an influential and convincing account of what features of music cause listeners to hear it as expressive of …
M Baroni - Musicae Scientiae, 2009 - journals.sagepub.com
Recognising a musical style implies managing a number of similarities. However, the nature of such similarities and their organisation within a piece of music are radically different from …
D Müllensiefen, K Frieler - … of the 8th International Conference on Music …, 2004 - mu-on.org
This paper describes the systematization, testing and optimiziation of different approaches for measuring similarities of melodies. First, a quick overview of our mathematical …
E Schubert, C Stevens - Journal of New Music Research, 2006 - Taylor & Francis
According to Western music theory, familiar melodies containing alterations which shift them a long distance (harmonically) from the original should be considered perceptually …