[PDF][PDF] «Det er bare du som kan føle det du føler»–emosjonell investering og engasjement i nettdramaet SKAM

VS Sundet - 16: 9 filmtidsskrift, 2017 - researchgate.net
I SKAM-klippet «Tenker det du føler» sier Isak til Even at det er bare han som kan føle det
han føler, før Even hvisker tilbake at slik som dette har han aldri følt før. Men tar han ikke feil …

[PDF][PDF] SKAM–når fiksjon og virkelighet møtes

M Magnus - Nordicom Information, 2016 - gupea.ub.gu.se
I et teaterstykke er det en scene og et publikum. Publikummet gir umiddelbar respons til
aktørene. Responsen kan påvirke hvordan neste forestilling vil utspille seg. Hva likte …

[PDF][PDF] “Nobody is ever alone”: The use of social media narrative to include the viewer in SKAM

JW Rettberg - 2021 - bora.uib.no
“BECAUSE EVEN THOUGH IT SOMETIMES FEELS LIKE IT, NOBODY IS ever alone.” These
words are taken from the speech Jonas gives at Sana's Eid party in the final episode of the …

Coping with Shame in a Media-saturated Society: Norwegian Web-series Skam as Transitional Object

S Krüger, GC Rustad - Television & new media, 2019 - journals.sagepub.com
Since its launch in late 2015, the Norwegian web-series Skam (Shame), produced by public
broadcaster NRK, has become one of the most notable successes in Norwegian television …

Reality and fiction in contemporary television: The case of Skam

C Pearce - TDR/The Drama Review, 2017 - direct.mit.edu
Skam, a Norwegian television series, uses social media accounts that purport to represent
the world of the characters to integrate the drama of the series with the lived reality of the …

Reaching Young Audiences Through Research: Using the NABC Method to Create the Norwegian Web Teenage Drama SKAM/Shame

EN Redvall - True event adaptation: Scripting real lives, 2018 - Springer
In the digital media landscape, it is still more difficult for traditional broadcasters to attract
young audiences. This chapter investigates the successful strategy of the Norwegian web …

[PDF][PDF] Revitalizing seriality: Social media, spreadability, and SKAM's success beyond Scandinavia

J Duggan - 2020 - ntnuopen.ntnu.no
At 2: 32 pm on Tuesday, September 22, 2015, the Norwegian public broadcasting
corporation, Norsk rikskringkasting (NRK), posted the first clip of the show SKAM on P3, its …

From 'secret'online teen drama to international cult phenomenon: The global expansion of SKAM and its public service mission

VS Sundet - Critical Studies in Television, 2020 - journals.sagepub.com
This article addresses the production, distribution and global expansion of the online teen
drama, SKAM/SHAME (2015–2017), produced by the Norwegian public service broadcaster …

The romantic fantasy of even and Isak—an exploration of Scandinavian women looking for gratification in the teen serial SKAM

SS Lindtner, JMR Dahl - Feminist Media Studies, 2022 - Taylor & Francis
Based on ethnographic reception analysis, cultural sociology, and psychoanalytic film
analysis, this article explores a group of Scandinavian adult female fans of the gay couple …

Noora som verdensredder og feminist i NRK-serien Skam

E Oxfeldt - Åpne dører mot verden: Norske ungdommers møte …, 2017 - idunn.no
Artikkelen handler primært om Skam s sesong 2 med fokus på Noora. Først
kontekstualiserer jeg seriens framstilling av skam og skyld for å vise hvordan «generasjon …