ENGLAND 326 Victoria and After 326 Problem Plays 327 George Bernard Shaw 327 The Irish Renaissance 329 The Legacy of Realistic Drama Actors and Managers 331 330 xii …
DN Klausner - The Routledge Research Companion to Early …, 2016 - taylorfrancis.com
61 different speaker is giving advice on controlling a husband. There are no speech headings, and the gender of the speakers is not entirely clear, but the fragment does …
A Richards - Australasian Drama Studies, 2001 - search.informit.org
The phenomenal set on which it is based is not easily characterised: Andrew Parker and Eve Kosovsky Sedgwick recently referred to'the loose collection of theatrical practices …
E Hughes - Theatre Research International, 1990 - cambridge.org
The Field Day Theatre Company was founded in 1980 by Stephen Rea, the actor, and Brian Friel, the playwright, at the former's suggestion. The combination of a playwright and an …
M Coveney - National Theatres in a Changing Europe, 2008 - Springer
The pulse of our nation is now most potently registered in its television iconography: the endless' reality'shows featuring sad, wannabe celebrities; the facile rudeness of judges on …
M Aragay, H Klein, E Monforte, P Zozaya - 2007 - books.google.com
This exciting book uniquely combines interviews with scholars and practitioners in theatre studies to look at what most people feel is a pivotal moment of British theatre-the 1990s. With …
The Irish contribution to world theatre is famous, but today awareness of Irish theatrical activity is chiefly confined to the modern period. This book corrects that imbalance with an …
Gilt, velvet and nice safe shows: British theatre is little more than a rich man's plaything. Here's how to steal it back - Document - Gale Academic OneFile Use this link to get back to this page …