North Indian rag performance, especially as practised in intimate and informal settings, is often distinguished by a lively interaction involving both musicians and listeners, mediated …
M Clayton - Asian Music, 2007 - durham-repository.worktribe.com
North Indian rāg performance, especially as practised in intimate and informal settings, is often distinguished by a lively interaction involving both musicians and listeners, mediated …
North Indian rag performance, especially as practised in intimate and informal settings, is often distinguished by a lively interaction involving both musicians and listeners, mediated …
North Indian rāg performance, especially as practised in intimate and informal settings, is often distinguished by a lively interaction involving both musicians and listeners, mediated …
M CLAYTON - Asian music, 2007 - pascal-francis.inist.fr
Time, gesture and attention in a Khydl performance CNRS Inist Pascal-Francis CNRS Pascal and Francis Bibliographic Databases Simple search Advanced search Search by …
North Indian rag performance, especially as practised in intimate and informal settings, is often distinguished by a lively interaction involving both musicians and listeners, mediated …
M Clayton - Asian Music, 2007 - search.proquest.com
Clayton suggests that observing the behavior of audience members, as well as that of performers, should provide a valuable window into the ways in which" rag" performance is …
M Clayton - Asian Music, 2007 - search.proquest.com
According to Jones our attentional resources are rhythmical-quasi-periodic-and many aspects of temporal behavior, including music and speech, involve the entrainment [CPl] of …