Traditional music must remain; it is a base and we listen to it. But the logic of our music is
different. Traditional music is to show the identity of the people, their huwiya, but that is not …

In “Cultures of Resistance in Palestine and Beyond: The Politics of Art, Aesthetics, and
Affect,” Sophie Richter-Devroe and Ruba Salih introduce the imperatives, questions, and …

Rather than considering protest art as singularly revolutionary, disruptive, or unsettling to
established power structures per se, this article and the contributions in the special issue …

When we asked members of Katiba 5 how the outputs of their band compare to previous"
classic" Palestinian resistance genres, such as the early writings of the late Mahmoud …

Katiba 5 is a Palestinian hip-hop band of young Palestinian refugees, together with
Lebanese friends and second generation French-Syrians living in Europe. They meet in a …

The article explores the relationship between the cultural production and political resistance
in Palestine. It offers empirical research and analytical reflections that artists, thinkers …

Traditional music must remain; it is a base and we listen to it. But the logic of our music is
different. Traditional music is to show the identity of the people, their huwiya, but that is not …

Traditional music must remain; it is a base and we listen to it. But the logic of our music is
different. Traditional music is to show the identity of the people, their huwiya, but that is not …