political status of a racialised minority group, or when we ask if the birth of Asian Kool, or even
Asian being Kool, signi®es the end of racial violence, discrimination or orientalist visions of the
Asian `other’, must our answers always be negative? In some ways perhaps the music
contributes to a progressive visibility of `Asianness’ and Asians in Britain (and in other
metropolitan export sites for these British productsÐ as Asian Kool is now also sold in New York …